The greatest crime committed by DINNER FOR SCHMUCKS, and there are many, is that it might prevent the viewers who have suffered through it to never discover the original, Francis Vebers delicious LE DINER DE CONS, on which it was based. An original of which the re-makers have completely missed the point. Of course, Americanizing… Read More »
THE OTHER GUYS
A rambling script that never quite takes the aim it meant to at the rarified world of high finance proves little impediment to THE OTHER GUYS, an uneven comedy redeemed by the inspired casting of Will Ferrell and Mark Wahlberg as cops with nothing in common paired up on a career-making case. Forget the brief,… Read More »
SCOTT PILGRIM VS. THE WORLD
SCOTT PILGRIM VS. THE WORLD, adapted from the graphic novel of the same name by Bryan Lee O’Malley, redefines the cinematic linear narrative by frog-marching it straight into the psyche of the post-adolescent zeitgeist. A slick synthesis of graphic novel and cinema, it becomes much more that just he sum of its parts, it becomes… Read More »
THE SWITCH
THE SWITCH, based on the short story Baster by Jeffrey Eugenides, is a quiet comedy that is also an introspective mood piece about Wally (Jason Bateman) an inadvertently funny, introspective and somewhat moody man. Speaking to a particular pocket of time, the first decade of the 21st century, and a particular place, New York City,… Read More »
MONEYBALL
The starring role in MONEYBALL is not a showy one. Rather it requires of the actor playing it to posses a consummate skill in inhabiting a character rather than merely playing one. Billy Beane, the General Manager of the Oakland A’s must be all things to all people, low-key and cool as he is glad-handing… Read More »
A VERY HAROLD & KUMAR 3D CHRISTMAS
With some films, the 3-D effect is tacked on to generate a few extra bucks at the box office. And then there are the ones like A VERY HAROLD AND KUMAR 3-D CHRISTMAS. The wisps of smoke coming off those funny cigarettes so dear to the title characters hearts become prehensile as they float off… Read More »
LOVE! VALOR! COMPASSION
LOVE! VALOR! COMPASSION! is a romantic comedy, full of great one-liners, that, nonetheless is not shy about taking on serious subjects, such as the human heart. Forget space, this is the real final frontier. Nothing else has such an infinite capacity to delight, destroy, and surprise. The story takes place over three holiday weekends during which a… Read More »
THE PIRATES! BAND OF MISFITS
PIRATES! BAND OF MISFITS is a gleefully revisionist take on pirates, royalty, and the early 19th-century scientific community. Brought to animated life by the fine folks at Aardman Studio with their distinctive stop-motion brilliance, and a dash of CGI, the film also features 3-D that is used cleverly but without ostentation. Clever is the byword… Read More »
KILLER JOE
There are truths about human nature that only brutality in its rawest form can depict. Such is the concept embraced with both verve and style by William Friedkin in KILLER JOE, a tale of moral compasses gone askew, dysfunctional family dynamics taken to their logical extreme, and human life reduced to a commodity on a… Read More »
MUCH ADO ABOUT NOTHING
During the years when he was diligently bringing the world Buffy and Angel et als, Joss Whedon was also inviting the cast members of said shows over to his house for Shakespeare readings. Its only fitting,then, that Whedons film version of MUCH ADO ABOUT NOTHING should be filmed in that very house. Working at a… Read More »