THE LOST CITY OF Z opens in the darkness of the jungle. Natives stand in silhouette outlined against fires burning in warning or in welcome. It’s a fitting start to James Gray’s suitably literate adaptation of David Grann’s book of the same name, telling the true story of the obsessions that drove British Major Percy… Read More »
THE OTTOMAN LIEUTENTANT
THE OTTOMAN LIEUTENANT is a slight but eminently humane story, lushly filmed, and richly romantic. It follows the classic tropes of the romance genre, enhanced with nuanced performances that elevate what might otherwise be stock characters in a plot with few surprises. The biggest surprise being that it is so satisfying as entertainment, and as… Read More »
THE SHACK
THE SHACK, based on the best-selling novel of the same name, is a well-meaning and heartfelt film that dares to tackle a fiendishly tricky question. If God is good and loves us all, why does She allow evil in the world? Couched in parables and riddles, and for all its gentleness of spirit, it arrives… Read More »
LOGAN
The standalone X-Men story, LOGAN, dares much with its darkness, and achieves even more by being an emotionally brutal story that relies on character, not spectacle, to pack its considerable wallop. A tale that is as psychically violent as it is physically so, it is a sharp descant to the earlier films in the franchise… Read More »
SIX ROUNDS
SIX ROUNDS is an exquisitely realized inner monologue. A perfect distillation of character and mood expressed in silence and in shouts; of emotion visualized through quick cuts and slow motion into a tone poem of stark eloquence with nary a flaw in its running time. Told is six episodes, it explores the aftermath of the… Read More »
FIFTY SHADES DARKER
I have not read any of the Grey books, as in 50 Shades of, or the one on which FIFTY SHADES DARKER is based. Thus when I see Kim Basinger flitting through the edges of this film, looking petulant and warning our mousey heroine, Anastasia (Dakota Johnson), away from the eponymous Grey, as in Christian… Read More »
NERUDA
NERUDA is a rhapsody of juxtaposition and conundrum. Pablo Larraín’s film takes historical episodes from a contentious time in the life of Chile’s beloved poet, fervent Communist, elected senator, and creates a fable of suitably Olympian proportions. And, yes, poetry. This is not, however, the sun-dappled poetry of pastoral idylls nor of chivalric love. And… Read More »
THE FOUNDER
Who knew that milkshakes would loom so large in the story of how McDonald’s became the corporate behemoth that it is today? From the multi-spindle mixers hawked by Ray Kroc during his salad days, to the seductive lipstick imprint on the rim of a glass containing an ersatz version of the creamy treat, to a… Read More »
THE RED TURTLE
We are reminded in THE RED TURTLE how superfluous words can be. This animated fable from Studio Ghibli, aimed more at adults than at children, is a thoughtful film about the cycle of life, and a sublime cinematic achievement. A masterpiece, in fact. Starting with a shipwreck, it tells the story of a castaway marooned… Read More »
A MONSTER CALLS
A MONSTER CALLS begins, fittingly enough, with a child’s nightmare. We don’t have the context yet, but the primal fear gripping the boy clinging to the hand of a woman hanging over an abyss neatly sums up the emotional journey to come. The boy is Connor (Lewis MacDougall), and the woman, as we will shortly… Read More »
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