Jag Mundhra’s SANDSTORM succeeds on several levels. First, it’s a fine piece of filmmaking that tells this story of cultural discrimination with a directness that never panders to either its audience or its characters. Second, it succeeds in outlining in stark and uncompromisingly personal terms exactly what this sort of injustice means for one woman… Read More »
ASSASSINATION TANGO
You will either get caught up the quirkiness of Robert Duvalls latest film or you will leave the theater wondering what the heck it was that you just saw. Either way, theres no doubt that you will come away with why Duvall has become obsessed with the tango. Truth be told, I suspect that said… Read More »
MAJESTIC, THE
THE MAJESTIC desperately wants to be a heartwarming classic, the type that is a staple of family gatherings and the holiday memories of a million people. It is intent on warming the cockles of the heart, but screenwriter and Hollywood native Michael Sloanr, even abetted by GREEN MILE and SHAWSHANK REDEMPTION director Frank Darabont, has… Read More »
GOOD THIEF, THE
THE GOOD THIEF is a cheeky little film that uses the excuse of a complicated caper to do a character study. Writer/director Neil Jordan, who adapted this from the 1955 French classic, BOB LE FLANEUR, uses smoke, mirrors, and a sleight of hand to keep things interesting, a magic that is certainly more adept than… Read More »
PHONE BOOTH
One of those wise old Greeks, perhaps it was Socrates, said that the unexamined life is not worth living. And in PHONE BOOTH, there’s a psycho with a gun who’s taken that bit of philosophy way too literally. This being a Joel Schumacher film, he of FLATLINERS and BATMAN and other flights of high-flown fancy,… Read More »
THE SHAPE OF THINGS
Neil LaBute starts his latest film, THE SHAPE OF THINGS, off with a sly dig at what the story is going to be about. His stars are not given character names in the credits, they’re listed as “actress” or “actor” in much the same way that credits traditionally list “director” or “writer”, both of which… Read More »
LEVITY
Ed Solomon wrote the scripts for MEN IN BLACK and BILL AND TED’S EXCELLENT ADVENTURE. He’s not the guy from whom you’d expect a serious, thoughtful, even intriguing script that wrestles with the theological and philosophical questions of redemption. And yet, with LEVITY, his directorial debut, that’s just what he’s done. The protagonist is Manual, with… Read More »
CITY OF GHOSTS
I can’t quite shake the feeling that lurking somewhere in Matt Dillon’s CITY OF GHOSTS, there?s a pretty good movie trying to get out. It’s not unlike a block of raw marble that harbors within it perhaps not La Pieta, but something that wouldn’t look out of place in the outer galleries of a mid-sized… Read More »
OWNING MAHOWNY
Dan Mahowny is a gray little man, meticulous, obsessive, and very careful with a dollar, even the ones in his native Canada. He is a man seemingly born to be a banker except for one little flaw, an addiction, actually. Dan is a man who likes to gamble, who has, in fact never gone more… Read More »
CHARLOTTE SOMETIMES
A woman rises naked from the bed of her lover, dresses, walks outside and up the stairs of her duplex to spend the rest of the night, platonically, with another man. With that opening sequence of CHARLOTTE SOMETIMES, Eric Byler engages his audience from the first frame of film in a way that is irresistible.… Read More »
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