There have been few horror films more delightful that THE LOVE WITCH. Ostensibly an homage/send-up of mid-century exploitation films that sold social relevance as an excuse for prurient titillation, it combines wicked visual juxtapositions, inspired bad acting, and the oddest burlesque show ever in an inordinately entertaining examination of the perils of waiting for Prince… Read More »
OUIJA: ORIGIN OF EVIL
I was not a fan of the original OUIJA, which I found to be predictable in plot and pedestrian in execution. Its prequel, however, OUIJA: ORIGIN OF EVIL, is (almost) the exact opposite. Set in 1967, it reveals what happened in that spooky craftsman cottage when Aunt Lina (Annalise Basso) was just a high-school sophomore… Read More »
TRAIN TO BUSAN (Busanhaeng)
New zombies, new rules. If TRAIN TO BUSAN did nothing but find a new take on zombies, it would be worth your time, but this Korean gem goes the extra yardage to gift us with an engrossing story that contains only a soupçon of well-regulated sappy sentiment. It’s far more interested in observing what happens… Read More »
BLAIR WITCH
Once again college kids with video cameras march into the dark piney woods in search of something better left undisturbed. Unlike previous attempts to capture the lightning in a bottle that was the original BLAIR WITCH PROJECT, attempts that went down in flames, writer Simon Barrett and director Adam Wingard have taken the found-footage format… Read More »
MORGAN
MORGAN is a high-minded film that wants us all to ponder what it means to be human. Alas, the most ponder-worthy thing in this film, which once again shows the result of humankind playing God, is wondering how Kate Mara managed to do all that running through the piney woods in those very high heels. … Read More »
GHOSTBUSTERS
There are many, many things to love about the GHOSTBUSTERS reboot, and one of them is that it is equally good whether you are a fan of the 1984 version, or if you’ve never heard of it. Director and co-writer (with Katie Dippold) Paul Feig, the man who brought us THE HEAT (co-written with him… Read More »
THERAPY FOR A VAMPIRE ( Der Vampir auf der Couch)
THERAPY FOR A VAMPIRE is a droll and loving homage to those classic Universal horror films from the 1930s. This is not pastiche, though. The gothic castle awash in spectral moonlight vies with a dash of Hitchcock’s VERTIGO, and a feminist attitude that is the perfect foil for the king of Penis Envy himself, Sigmund… Read More »
MARK OF THE WITCH
If Jason Bognacki had focused his undeniable give for arresting visuals while making MARK OF THE WITCH (aka ANOTHER), he would have made a poetically disturbing film about the sins of the parents being visited on their children. Instead, he has cobbled long swaths of irksome exposition into a horror film that grows tedious before… Read More »
THE DARKNESS
THE DARKNESS, released without a press screening, and on Friday the Thirteenth, is everything you’d expect. It’s a tame and insultingly derivative version of POLTERGEIST, right down to the sulky teenage daughter and the darling little kid who sees spirits. That the little kid is a boy, not a blond cherub of a girl, and… Read More »
GREEN ROOM
THE GREEN ROOM is technically flawless. Writer/director Jeremy Saulnier has crafted a horror film that plays upon the well-chosen phobias about extremists, backwoods rough justice, and the down side of the music business. Yet, for all the graphic flourishes of dog-mangled throats, a close-up belly slitting, and the results of gunfire meeting flesh, this is… Read More »
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