THEY LOOK LIKE PEOPLE is a first-rate existential horror film, as well as a psychological thriller. Writer/director Perry Blackshear understands more than just how to create evocative, even sumptuous, visuals, he knows how to use those visuals in the service of telling a story that is as emotionally engrossing as it is suspenseful while it explores the… Read More »
YOU’RE KILLING ME
YOU’RE KILLING ME is a wry and delightful black comedy of very bad manners, of which murder may not be the most heinous. In it, a group of hip twenty-somethings on the fringes of show biz negotiate awkward game nights, the finer points of dating etiquette, and the protocols of disposing of a dead body.… Read More »
REGRESSION
Alejandro Amenábar directed Nicole Kidman to one of her best performances in THE OTHERS, a horror film that was both haunting and clever. The full review of that fine film is here, and I recommend watching that instead of REGRESSION, a film that is equally atmospheric, but diffused in its mounting terror, rather than sharply… Read More »
KRAMPUS
KRAMPUS begins in such a promising fashion. Taking the worst that the holiday has to offer in this, the real world of boorish relatives, rampaging hordes of shoppers, and Christmas pageants gone horribly awry, it hopes to build on that to tell an even more horrifying tale of the supernatural comeuppance for losing the holiday… Read More »
VICTOR FRANKENSTEIN
VICTOR FRANKENSTEIN begins by telling us that we have heard this story before. And we have. Sort of. The Frankenstein (James McAvoy) in question is the one that built the iconic monster out of spare human parts, but it’s Igor (Daniel Radcliffe), the man scientist’s assistant, who is our narrator, and it’s from his fresh,… Read More »
THE FORBIDDEN ROOM
To see a Guy Maddin film is to have the disconcerting experience of having the horrors of the commonplace revealed. With the most delicate shifting of perspective, and by only a few metaphorical millimeters, hitherto unsuspected absurdities are made manifest, resulting in a comedy to give you nightmares, and nightmares to make you howl with… Read More »
CRIMSON PEAK
If CRIMSON PEAK offered nothing more than the creepiest bathtub specter since THE SHINING, it would still qualify as a monstrously entertaining film. But this is Guillermo del Toro directing and co-writing, and so the lushness of subtext mirrors the classically Gothic idiom of the story. The paranormal is the least disturbing of the elements… Read More »
AS ABOVE SO BELOW
Whatever else AS ABOVE SO BELOW has to recommend it, and it has several things that eminently do so, it has breathed a little fresh air into the found footage genre of horror film. This is a tidy little horror film heavy on mood, light on gore, and bursting with a refreshing originality of story… Read More »
THE GREEN INFERNO
With an Eli Roth film, one should know what one is getting into, as in, an unspeakably unsettling film that will feature violence, gore, and a side of human nature that does not show the species off to its best advantage.
THE VISIT
Admittedly the bar has been greatly lowered when approaching any new film from M. Night Shyamalan, quondam wunderkind of cinema, whose SIXTH SENSE left us breathless with delight, and whose subsequent work left us more and more dismayed as the work deteriorated from the thoughtfully disturbing SIGNS, through the kitsch of THE VILLAGE, the silliness… Read More »
- « Previous Page
- 1
- …
- 9
- 10
- 11
- 12
- 13
- …
- 20
- Next Page »