Just in time for Passover, Easter, and/or any other equinoctial festival on your liturgical calendar comes THE REAPING, an abomination of a film to put the fear of God in us all with its sheer awfulness. Then again, one can with some merit ponder why an all-knowing Being would allow such as this to happen.… Read More »
1408
1408, based on the short story by Stephen King, is a slick psychological thriller masquerading as a good old-fashioned ghost story. It’s old-fashioned in the sense that it relies on the jump-and-scare technique rather than the slash-and-burn one. It also relies on some fiendishly clever twists and an intelligent script that’s smart not just because… Read More »
30 DAYS OF NIGHT
30 DAYS OF NIGHT, based on the graphic novel of the same name, promises a new vision of the vampire and it delivers. Unfortunately, that new vision is dull, derivative, and more likely to induce a coma than a nightmare. Tired stop-action strobe effects, townsfolk dumber than an ice floe, and vampires more notable for… Read More »
DIARY OF THE DEAD
Some artists work in oils, some artists work in marble, George A. Romero works in zombies. With DIARY OF THE DEAD, he continues his work in that most unusual of mediums, making this incarnation as fresh, as timely, and as grotesquely funny as all that he has purveyed before. Maintaining the conceit of using zombies… Read More »
KISSED
KISSED is a film about necrophilia. But the odd thing is that it’s not what you’d expect. Not by a long shot. I disliked the subject matter, intensely, but I admired the expertise of the filmmaker, Lynn Stopkewich, in allowing us to see this phenomenon from the necrophiliac’s point of view. It’s an enormously brave film. And yes, because I know you’re wondering… Read More »
SURVIVAL OF THE DEAD
With SURVIVAL OF THE DEAD, George Romero has finally answered the prayers that his fans didnt know they were praying. The zombie-meister has produced a zombie western, and done so without missing a beat in picking up a thread from his last flick, DIARY OF THE DEAD. As with that most excellent flick, its not… Read More »
INSIDIOUS
The most resonant horror films, the ones that stand the test of time, are the ones that speak most directly to some aspect of reality that is magnetically identifiable to the viewer. Such is the case with INSIDIOUS, a smartly conceived film by James Wan and Leigh Whannell, the founders of the SAW franchise. While… Read More »
INTRUDERS
INTRUDERS is an uncommon horror story that uses few of the familiar tropes to which an audience can cling for comfort, and those it does use, it twists for its own and novel purposes. The roots of fear is the focus, and the impotence of societal institutions in dealing with them as seen in two… Read More »
BLADE II
It is a sad but inexorable fact of life that in order to get by in this world, it is necessary to have an income of some sort. There are groceries to buy, shelter to secure and clothes to be put on ones back. And so it is that I look at Guillermo del Toros association with… Read More »
LAND OF THE DEAD
Zombies are intrinsically disturbing yet compelling. Dead, yet walking, stupid, yet lethal, slow, yet relentless. Never mind being unsightly. They are as perfect a fodder for metaphor as the brains of the living are for the zombies themselves, a conceit that George A. Romero has a particular knack for locking onto, as evidenced by his… Read More »
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