There is definitely someone going crazy in THE ONES BELOW, and the wonderful thing about this astringent tale of mystery and suspense is that we have few doubts about who it is. The key word is few. Two couples who have layers, which may or may not be camouflage, experience tragedy, resentment, joy, and childbirth,… Read More »
THE NICE GUYS
Shane Black has the gift of making films that are nail-bitingly suspenseful and wickedly funny at the same time. He did it with KISS KISS BANG BANG, and he’s done it again with THE NICE GUYS, a stylishly acerbic and decidedly hard-boiled neo-Noir pitting nihilism against idealism during the candy-colored decadence of 1977 Los Angeles.… Read More »
TOO LATE
Kierkegaard, noted Existentialist and proto-Absurdist, once opined that life can only be understood backwards; but it must be lived forwards. As a cinematic exploration of the tragic and comedic implications of that, there is Dennis Hauck’s wistful neo-Noir, TOO LATE, a film that employs a strategic insouciance as it nimbly plays with the time/space continuum… Read More »
THE WITCH
The true horror in THE WITCH does not lie in its supernatural underpinnings. Rather this dour psychological thriller plumbs the depths of madness that human nature invites upon itself with a closed mind and a conviction of righteousness. Set in a New World colony in the early 17th century, it is an incisive deconstruction of… Read More »
REGRESSION
Alejandro Amenábar directed Nicole Kidman to one of her best performances in THE OTHERS, a horror film that was both haunting and clever. The full review of that fine film is here, and I recommend watching that instead of REGRESSION, a film that is equally atmospheric, but diffused in its mounting terror, rather than sharply… Read More »
STRANGER BY THE LAKE
There is no getting around the prurient interest that STRANGER BY THE LAKE evokes. Set entirely on the rocky shore of the titular lake, it teems with beautiful young men madly in lust both with each other and with being in a state of nature. It is the stuff of porn flicks and of classical… Read More »
FLOWERS (Loreak)
A sweet melancholia pervades FLOWERS. The juxtaposition of life’s relentless move forward and the cryptic nature of human identity that confounds, delights, and charms work in tandem in this quietly powerful and unconventional love story. Moving on is the theme that ties the two tangential storylines together. In the first, Ane (Nagore Aranburu) learns that… Read More »
THE HATEFUL EIGHT
THE HATEFUL EIGHT is an impudent, pugnacious comedy that uses the synthetic nature of its stylized homage idiom to be a whip-smart consideration of race, gender, politics, situational ethics, and very, very bad teeth. The genre is the western, but the tone is thoroughly modern as a group of the damned journey through the desolate… Read More »
CRIMSON PEAK
If CRIMSON PEAK offered nothing more than the creepiest bathtub specter since THE SHINING, it would still qualify as a monstrously entertaining film. But this is Guillermo del Toro directing and co-writing, and so the lushness of subtext mirrors the classically Gothic idiom of the story. The paranormal is the least disturbing of the elements… Read More »
SICARIO
There are many iconic moments in SICARIO, but the one that sticks in my mind is the one where dedicated and upright FBI agent Kate Macer (Emily Blunt) is being given the lowdown from glib and slippery DOJ agent Matt Graver (Josh Brolin) about what winning the war on drugs will really entail. The camera… Read More »
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