TELL NO ONE is a tight and tautly plotted thriller in the classic mold. An innocent man is plunged from the mundane into mysterious with nothing less than his life on the line for reasons he can’t begin to imagine. The man is Alexendre Beck (Francois Cluzet), a newly minted pediatrician celebrating with a family… Read More »
LAKEVIEW TERRACE
Abel Turner (Samuel L. Jackson) has very definite ideas about how things should be. His children, an adolescent daughter and a son a bit younger, must use proper grammar at all times, and there are rules about who and who can’t be a role model. His new neighbors, she’s black, he’s white, do not fit… Read More »
TRANSSIBEREAN
TRANSSIBEREAN hearkens back to those glorious tales of intrigue and adventure that populated film screen in the 30s and 40s. In those days, it was trains that whisked people over vast distances and the close quarters with strangers of all sorts forced together in them was a situation rife with possibilities. Throw in a foreign… Read More »
LAW ABIDING CITIZEN
LAW ABIDING CITIZEN is a competently made thriller that attempts to make up in panache what it lacks in credibility. It fails. Taking a distinctly right-wing point of view when considering the not inconsiderable problems with the American justice system, it shamelessly pushes all the right emotional buttons as it tells the tall tale of the… Read More »
INTERNATIONAL, THE
THE INTERNATIONAL is a convoluted film about a complicated subject. Certainly complicated best describes the ins and outs of international banking, a business that doesnt so much disrespect borders and politics as ignore them altogether as being just so much piffle in the grand scheme of things. Certainly the premise that debt rules the world,… Read More »
DUPLICITY
DUPLICITY is a smartly crafted, expertly acted, exquisitely directed exercise in smoke, mirrors, and greed. Written and directed by Tony Gilroy, whose MICHAEL CLAYTON was a tale of corporate expediency and redemption, his new film returns to the world of corporate skullduggery with the same sharp character studies, the same resignation about people sinking to… Read More »
THE TAKING OF PELHAM 123
There are a few flaws in Tony Scott’s reworking of THE TAKING OF PELHAM 123, but the giddy exuberance of this character-driven thriller gets the audience over the rough spots with few regrets. The story has added cell phones and the internet to the mix without tarting up the proceedings with gratuitous special effects. It’s basically… Read More »
SHUTTER ISLAND
It’s no great trick to work out the twist in SHUTTER ISLAND, nor is having done so any great hindrance to enjoying this latest collaboration between Martin Scorsese and Leonardo DiCaprio. In fact, the clues judiciously scattered throughout the film all but demand that the audience figure out that one small piece of the puzzle… Read More »
GHOST WRITER, THE
In THE GHOST WRITER, Roman Polanski takes Robert Harris novel of the same name and gives it his own unique stamp. The tale is the classic one of an innocent man suddenly finding himself in the midst of intrigue and danger not of his making, The ominous overtones are pure Polanski. The innocent, who is… Read More »
MOTHER (MADEO)
After setting a monster loose on Seoul, director Bong Joon-ho has come up with something even more ferocious for his next film, MOTHER, a tale that explores the ferocity of the maternal instinct. Funny, tragic, disquieting, and absurd, it’s also nothing less than terrifying on a primal level. The film begins with the title character… Read More »
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