A refreshing Nordic reserve permeates the action/adventure in Norway’s Oscar™ contender, THE WAVE. While most films vying for the foreign language award are of the small, intimate, and character-driven variety, THE WAVE pulls out all the stops with a disaster epic that is edge-of-your-seat suspenseful. Even the usual clichés to be found in the genre… Read More »
How to Wield A CANDLESTICK
It takes a great deal of moxie to begin a film by referencing Hitchcock in both title sequence and score, but director/co-writer Christopher Presswell’s CANDLESTICK does just that, and then, with an impudent wink at the audience, does a more than credible job of making good on its promise. An intelligently crafted plot, driven by… Read More »
RUN ALL NIGHT with Liam Neeson
There is a reason that there is a rigid formula for Liam Neeson action films: it has a tendency to hit more than it misses. In RUN ALL NIGHT, the tropes are all present and accounted for with the variations that are permitted within the formula’s rules. Neeson is the everyman with, you will pardon… Read More »
A MOST VIOLENT YEAR Is A Most Excellent Film
A MOST VIOLENT YEAR begins, appropriately enough, with its protagonist, Abel Morales (Oscar Isaac) running. Though this is merely jogging through the snowy landscape of 1981 New York, he will spend the rest of the film running more purposefully either literally, figuratively, or both, as he scrambles to overcome fate and the fickleness of human… Read More »
TELL NO ONE (Ne le dis a personne)
TELL NO ONE is a tight and tautly plotted thriller in the classic mold. An innocent man is plunged from the mundane into mysterious with nothing less than his life on the line for reasons he can’t begin to imagine. The man is Alexendre Beck (Francois Cluzet), a newly minted pediatrician celebrating with a family… Read More »
LAKEVIEW TERRACE
Abel Turner (Samuel L. Jackson) has very definite ideas about how things should be. His children, an adolescent daughter and a son a bit younger, must use proper grammar at all times, and there are rules about who and who can’t be a role model. His new neighbors, she’s black, he’s white, do not fit… Read More »
TRANSSIBEREAN
TRANSSIBEREAN hearkens back to those glorious tales of intrigue and adventure that populated film screen in the 30s and 40s. In those days, it was trains that whisked people over vast distances and the close quarters with strangers of all sorts forced together in them was a situation rife with possibilities. Throw in a foreign… Read More »
LAW ABIDING CITIZEN
LAW ABIDING CITIZEN is a competently made thriller that attempts to make up in panache what it lacks in credibility. It fails. Taking a distinctly right-wing point of view when considering the not inconsiderable problems with the American justice system, it shamelessly pushes all the right emotional buttons as it tells the tall tale of the… Read More »
INTERNATIONAL, THE
THE INTERNATIONAL is a convoluted film about a complicated subject. Certainly complicated best describes the ins and outs of international banking, a business that doesnt so much disrespect borders and politics as ignore them altogether as being just so much piffle in the grand scheme of things. Certainly the premise that debt rules the world,… Read More »
DUPLICITY
DUPLICITY is a smartly crafted, expertly acted, exquisitely directed exercise in smoke, mirrors, and greed. Written and directed by Tony Gilroy, whose MICHAEL CLAYTON was a tale of corporate expediency and redemption, his new film returns to the world of corporate skullduggery with the same sharp character studies, the same resignation about people sinking to… Read More »
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