Daniel Radcliffe, fresh from the preternatural success of the Harry Potter films, stays close to his cinematic roots with THE WOMAN IN BLACK. A smidgen too young for the role of widowered father of a four-year-old, at least for 21st-century sensibilities, he and the film use the tender vulnerability of both his years and his… Read More »
THE RAVEN
RAVEN is a mess of a movie. An infuriating mix of amateurish writing and flowery antique speech; of sublime romance and hopeless pedantry; of atmospheric melancholy and risible smugness; of pointless melodrama and a movingly poignant performance by John Cusack as the damned soul, Edgar Allen Poe. The premise is Poe’s mysterious last few days… Read More »
EASY MONEY (SNABBA CASH)
EASY MONEY is an ironic title for a sharply observed, tonally complex story of people who dont fall into easily definable categories. Money is the driving force in all their lives, but they are not all people who have sold their souls for it. There is nothing so cliché in this Swedish import starring Joel… Read More »
BROKEN CITY
There is a scene in BROKEN CITY that serves as the perfect metaphor for the entire film. In it, corrupt New York Mayor Hostetler (Russell Crowe), and Billy Taggert (Mark Wahlberg), an ex-cop, are having an informal meeting to discuss the former hiring the latter to tail his wife (Catherine Zeta-Jones), whom he suspects of… Read More »
TRANCE
TRANCE is a thing of grotesquely fascinating beauty, an evolved noir designed to provoke and to disturb in equal measure as it toys with the audience’s notions of absolute certainty. It begins with the winsome James McAvoy addressing the audience directly, his sadly earnest face a perfect picture of open honesty as he sets up… Read More »
NOW YOU SEE ME
NOW YOU SEE ME begins with a giddy sense of mischief and ends with a contrivance that bespeaks the desperation of failing to plan for a proper ending. In between, it quietly devolves from slam-bang fun to barely coherent as four magicians lead the FBI and a debunker on a merry chase through ancient mysticism… Read More »
ONLY GOD FORGIVES
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CLOSED CIRCUIT
CLOSED CIRCUIT is a big, goofy simulacrum of a political thriller. There are all the key scenes. There are the requisite sotto voiced pronouncements with an eyebrow arched, well, archly. There are people running for their lives through dark streets at ungodly hours. There are double-, triple-, and quite possibly a quadruple-cross. And why that… Read More »
RUNNER RUNNER
Few things in life are quite as irksome as a film that thinks its clever when its anything but. Such is the case of the would-be thriller, RUNNER, RUNNER. In its inept attempts to mix current events with action tropes, it becomes a lackadaisical mishmash of scenes stitched together with a hope, a prayer, and… Read More »
COUNSELOR, THE
Once upon a time there was a delightful play that spawned an equally delightful movie, both called ROZENCRANTZ AND GUILDERSTERN ARE DEAD. In it, two minor characters from Hamlet are given center stage, with the arch comedy suitable to the comic relief from a towering tragedy, as well as unexpectedly profound observations about the meaning… Read More »
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