Click here to listen to the interview.
When I spoke with Chile’s Sebastián Lelio and Daniela Vega for the Oscar-nominated A FANTASTIC WOMAN on January 9th, 2018, I started with the obvious question, why a film with a transgender protagonist, and why Daniela, who started the project as a consultant before becoming its star.
We went on to talk about the year of conversations between Lelio and Vega that preceded the script being written; the tension between law and desire; the impact of labels; why Vega insisted on changing the music that her character sings; how Lelio made the other music choices; and the planning and execution of one of the film’s most powerful and poetic moments.
We finished up with a discussion of how the film has been received around the world; and with the other two films that Lelio has coming out thWhen I spoke with Sebastián Lelio and Daniela Vega for A FANTASTIC WOMAN on January 9th, 2018, I started with the obvious question, why a film with a transgender protagonist, and why Daniela, who started the project as a consultant before becoming its star.
We went on to talk about the year of conversations between Lelio and Vega that preceded the script being written; the tension between law and desire; the impact of labels; why Vega insisted on changing the music that her character sings; how Lelio made the other music choices; and the planning and execution of one of the film’s most powerful and poetic moments.
We finished up with a discussion of how the film has been received around the world; and with the other two films that Lelio has coming out this year, an English-language remake of his film, GLORIA, starring Julianne Moore, and the much bruited DISOBEDIENCE, co-starring Rachel Weisz and Rachel McAdams, about forbidden love set in the world of New York’s Hassidic community.is year, an English-language remake of his film, GLORIA, starring Julianne Moore, and the much bruited DISOBEDIENCE, co-starring Rachel Weisz and Rachel McAdams, about forbidden love set in the world of New York’s Hassidic community.
A FANTASTIC WOMAN is a love story tinged with magical realism and mystery as Marina, played by Vega, a transgender singer, struggles with the family of her dead lover, a family still resentful that he left them for her. By turns poetic and explosive, it is a film that asks us to question labels of all kinds, while enchanting us with the richness of its cinematic language, and the power of his charismatic star. The film co-stars Francisco Reyes, Luis Gnecco, Aline Küppenheim, Nicolás Saavedra, and Amparo Noguera. Lelio directed from a script he co-wrote with Gonzalo Maza, and his previous work includes GLORIA, which he remade in English with Julianne Moore.
[…] the slur of “chimera” as an intentional aesthetic stance. As Lelio himself discussed in an interview with Andrea Chase for Killer Movie Reviews, he was delighted to have such “a huge amount of freedom to make a complex film with many layers: […]