There was much more than just the usual giddy delight about their work to be found in Webster Colcord and Corey Rosen. These special effects masters from the San Francisco F/X house The Orphanage have an unabashed respect for their colleagues that they aren’t shy about sharing when discussing their collective work on Korean writer/director Bong Joon Ho’s iconoclastic delight, THE HOST. From calibrating just how a sea monster’s muscle will move on land, to discoursing on the technical meaning of the word “jiggle,” to maintaining the tricky balance between nurturing a filmmaker’s vision and dealing with the cinematic realities of bringing it to the screen, there was more to talk about than time to accommodate it when we sat down for an interview on March 5, 2007.
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