RENAISSANCE is a film that can be appreciated, idolized even, for its stunning visual artistry, as well as admired for its unsentimental homage to the film noir genre it reproduces with such precision. Relying neither on the gimmick of having the motion-capture animation reduced to only black and white, this is not cinematic stunt rather… Read More »
FEAST OF LOVE
After a promising beginning, FEAST OF LOVE devolves into a sloppy wallow in melodrama of the most turgid variety. It dallies with hyperbole, but refuses to commit to a conceit that might have made it all come together as a satisfying whole. Instead of magic, it is at best contrived. Morgan Freeman is our narrator.… Read More »