THE PROMOTION bills itself as a comedy, and elements of it do fall into that category, but at its core, this is an incisive and often merciless deconstruction of the American Dream. What writer/director Steve Conrad is getting at here, amid the absurdity rife in the general human condition, is the dark side of that… Read More »
TAMMY
There is a reason that the trailers for TAMMY show star/co-writer/co-producer Melissa McCarthy at her manic best. Those are, without doubt, the best moments of the film. Its not that McCarthy isnt equally adept at a poignant sort of drama, with which TAMMY is, unfortunately, rife. I have no doubt that one day McCarthy will… Read More »
THE LADYKILLERS
The Coen Brothers remake of the perfect and perfectly exquisite Ealing Studio comedy, THE LADYKILLERS, isnt just a misfire, its an annoying misfire, irksome, tedious, and on the whole, unnecessary. The original, as you recall, was perfect. It was, if you recall, a resolutely deadpan and black comedy that nonetheless taught a valuable lesson about… Read More »
ART SCHOOL CONFIDENTIAL
Most people get that slap upside of the head called reality when they leave school. For Jerome Platz (Max Minghella), it’s when he starts school, art school, that is, Strathmore Institute, to be precise, the art school of his dreams and the venue for Terry Zwigoff’s ART SCHOOL CONFIDENTIAL, based on the comic book of… Read More »
HAMLET 2
Where do dreams go to die? That’s the question posed at the beginning of HAMLET 2, a comedy about the triumph of enthusiasm over talent. The answer to that question is Tucson, Arizona, at least for Dana Marschz (Steve Coogan), a spectacularly untalented actor turned equally untalented drama teacher at a high school there. Driven… Read More »