DAYBREAKERS is a film that has run through 99% of its good ideas by the time the opening credits have concluded. At least the stylish, if occasionally obvious, art direction gives the audience something to occupy its collective self as the half-baked tale unfolds. The time is 2019, and a bat-borne plague has turned all… Read More »
LEGION
LEGION is an incoherent flick positing, amid all the apocalyptic mayhem, that the Almighty is out of touch with His/Her inner Deity. It may be a juicy mystery that passeth all understanding to make theologians quiver with the delight of unraveling it, but as a premise for a movie, it’s incoherent. That it also attempts… Read More »
MY SOUL TO TAKE
MY SOUL TO TAKE is destined to be relegated to Wes Cravens lesser works. It has several nice twists and a deft way of misdirection that is marvelous to experience, even when one is perfectly aware of the manipulation. It may not have the humor of ELM STREET, or the rich panoply of that franchises… Read More »
THE WARRIOR’S WAY
THE WARRIOR’S WAY starts strong, ends with a slick tableaux and in between disappoints with a steady acceleration that not even a quietly charismatic performance by star Dong-Gun Jang, nor the image of a clown with a gun during the films climactic shoot-out, can surmount. A fanciful mix of spaghetti-western bad guys, colorful carnival folk,… Read More »
DREDD 3D
The great irony of DREDD 3D is that the narcotic driving the criminal element of the film is called Slo-Mo and its trick is to make slow time down to one-percent of normal for the user. Ironic because DREDD, based on the comic strip by Carlos Ezquerra and John Wagner, does the same thing for… Read More »
SABOTAGE
I can’t fathom why when END OF WATCH was so dynamic, David Ayers directorial follow-up, SABOTAGE, is so inert. Where END OF WATCH had depth and energy, SABOTAGE is is rambling, and at times incongruous, as it unspools a set of stock characters dithering about in a cesspool of rubbery ethics and dogged determination. Perhaps… Read More »
MR. BROOKS
According to some, we live in an age of moral relativism, and Mr. Brooks, a clever script with mediocre performances, explores that concept with nicely honed dash of irony. Our anti-hero, the eponymous Mr. Brooks, aka Earl, is affluent, pro-life, pro-family, and so devoted to his wife (Marg Helgenberger) and daughter (Danielle Panabaker) that the… Read More »