In STRANGER THAN FICTION, Will Ferrell bravely sets aside the manic side of his personna in favor of that personna’s innate sweetness. It’s a bold move and one that is not without charm, but it’s also one that should have been better served than it is by a script that takes far too long to get… Read More »
PERFUME: THE STORY OF A MURDERER
The first image in Tom Tykwer’s PERFUME is of a nose in close-up emerging from the twilight. The first sound is of its drawing a deep breath. It is stark, it is simple, and it is perfect. Smell is the point of this decadent gothic tale, and it is the driving force of the nose’s… Read More »
BRAND UPON THE BRAIN!
Guy Maddin’s BRAND UPON THE BRAIN! is such a purely, viscerally visual experience that, like trying to describe a dream, much is lost when trying to put the language of the subconscious into words. And that is what Maddin is working with here. Boasting no spoken dialogue, eccentric black-and-white exposures, he bills this as a… Read More »
RENAISSANCE
RENAISSANCE is a film that can be appreciated, idolized even, for its stunning visual artistry, as well as admired for its unsentimental homage to the film noir genre it reproduces with such precision. Relying neither on the gimmick of having the motion-capture animation reduced to only black and white, this is not cinematic stunt rather… Read More »