TRANCE is a thing of grotesquely fascinating beauty, an evolved noir designed to provoke and to disturb in equal measure as it toys with the audience’s notions of absolute certainty. It begins with the winsome James McAvoy addressing the audience directly, his sadly earnest face a perfect picture of open honesty as he sets up… Read More »
COUNSELOR, THE
Once upon a time there was a delightful play that spawned an equally delightful movie, both called ROZENCRANTZ AND GUILDERSTERN ARE DEAD. In it, two minor characters from Hamlet are given center stage, with the arch comedy suitable to the comic relief from a towering tragedy, as well as unexpectedly profound observations about the meaning… Read More »
THE BLACK DAHLIA
There are so many missteps in Brian De Palma’s THE BLACK DAHLIA that one hardly knows where to start. Perhaps the best place is with the adaptation of James Ellroy’s novel of the same name. The book is a rich and vibrant work that provides too much fodder for a two-hour film to capture. Instead… Read More »