LONDON ROAD brilliantly uses the unreality of ordinary people breaking into song to evoke the unreality of a serial killer on the loose on the otherwise unremarkable eponymous street in the otherwise unremarkable small town of Ipswich, England. Based on the Royal National Theatre production, original cast intact, that was, in turn, based on the… Read More »
Lo and Behold, Reveries of the Connected World
Werner Herzog brings his dour brand of whimsy to LO AND BEHOLD, REVERIES OF THE CONNECTED WORLD, his consideration of cyberspace. The result is a thought-provoking piece that brings up little-known issues and implications, placing them side by side with the more conventional topics of security and dependence. Indeed, the most arresting moment in the… Read More »
THE AMERICAN SIDE
Click here to listen to the interview with filmmaker Jenna Ricker. Going over Niagara Falls in a barrel isn’t the most dangerous thing Charlie Paczynski (co-writer Greg Stuhr) faces in THE AMERICAN SIDE. Pasczynski is a low-rent private eye working the seamier side of Buffalo, New York, where Niagra falls and both honeymooners and suicides… Read More »
LEN AND COMPANY
The eponymous Len, of LEN AND COMPANY is Len Black (Rhys Ifans), a successful record producer and towering failure of a human being, who has absented himself from the world in order the ponder the detritus of his life. He longs for silence, or at least no music of any kind in his rustic upstate… Read More »
THERAPY FOR A VAMPIRE ( Der Vampir auf der Couch)
THERAPY FOR A VAMPIRE is a droll and loving homage to those classic Universal horror films from the 1930s. This is not pastiche, though. The gothic castle awash in spectral moonlight vies with a dash of Hitchcock’s VERTIGO, and a feminist attitude that is the perfect foil for the king of Penis Envy himself, Sigmund… Read More »
PRINCESS
PRINCESS is an intimately observed film that forces us to face some uncomfortable truths. Told with unflinching honesty, completely eschewing the sensational in favor of the perceptive, we are plunged into a 12-year-old’s waking nightmare lived in a highly sexualized atmosphere created by her mother and her mother’s live-in boyfriend. The girl is Adar… Read More »
MARK OF THE WITCH
If Jason Bognacki had focused his undeniable give for arresting visuals while making MARK OF THE WITCH (aka ANOTHER), he would have made a poetically disturbing film about the sins of the parents being visited on their children. Instead, he has cobbled long swaths of irksome exposition into a horror film that grows tedious before… Read More »
TOO LATE
Kierkegaard, noted Existentialist and proto-Absurdist, once opined that life can only be understood backwards; but it must be lived forwards. As a cinematic exploration of the tragic and comedic implications of that, there is Dennis Hauck’s wistful neo-Noir, TOO LATE, a film that employs a strategic insouciance as it nimbly plays with the time/space continuum… Read More »
THEY LOOK LIKE PEOPLE
THEY LOOK LIKE PEOPLE is a first-rate existential horror film, as well as a psychological thriller. Writer/director Perry Blackshear understands more than just how to create evocative, even sumptuous, visuals, he knows how to use those visuals in the service of telling a story that is as emotionally engrossing as it is suspenseful while it explores the… Read More »
YOU’RE KILLING ME
YOU’RE KILLING ME is a wry and delightful black comedy of very bad manners, of which murder may not be the most heinous. In it, a group of hip twenty-somethings on the fringes of show biz negotiate awkward game nights, the finer points of dating etiquette, and the protocols of disposing of a dead body.… Read More »
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