DOWN IN DALLAS TOWN is a melancholy descant on the assassination of President Kennedy in 1963. It begins typically enough, with the audio recording of an eyewitness detailing what he saw right in front of him that day in Dealey Plaza when Kennedy’s head was shattered by bullet. The throat catches, and he has to… Read More »
SATURN BOWLING (Bowling Saturne)
SATURN BOWLING is a horror film as cold-blooded as the serial killer it depicts on a rampage through Calvados, France. And as cold-hearted as the father whose sins are visited in abundance upon two brothers attempting a détente after a lifetime of estrangement. Chillingly observational, and unflinching in its depiction of violence, psychological and physical,… Read More »
BREAKDOWN
As summer comes to a close, so does the San Francisco Mime Troupe’s 2023 season of free live performances of its scathingly scintillating production of BREAKDOWN. This year, you can also enjoy it as VOD here through 9/4, password PowerToThePeople!, yes the exclamation point is part of the password). Every year the Troupe takes on… Read More »
BIOSPHERE
Click here to listen to the interview with director/co-writer Mel Eslyn. At the beginning of BIOSPHERE, the world as we know it has ended, leaving only two human beings left alive. They are Billy (Mark Duplass) and Ray (Sterling K. Brown), and they have gone from being the apex species on the planet to finding… Read More »
NOTHING COMPARES
It is high time for a re-appraisal of Sinéad O’Connor. Now best remembered with a tinge of distaste for tearing up a picture of the Pope on “Saturday Night Live” in 1992, the singer is the focus of Kathryn Ferguson’s documentary, NOTHING COMPARES. Centering on O’Connor’s precipitous rise to stardom at barely 21 to the… Read More »
EMERGENCY DECLARATION (Bisang seoneon)
EMERGNCY DECLARATION wants to take you on a hyper-roller coaster ride with an airborne tale of bio-terrorism, and it does. A worthy throwback to the disaster films of a generation or so ago, it is the perfect action film for the age of COVID, and a thrill-packed time that will wring every emotion out of… Read More »
MEDUSA
Anita Rocha da Silveira’s MEDUSA is a savage satire of self-enforced female repression. Set in an unnamed country that could be the filmmaker’s native Brazil, or any country with a vocal and fervent minority currently vying to bring Margaret Atwood’s Handmaid’s Tale to life, it is a lushly metaphorical take on the kind of right-wing… Read More »
WE ARE AS GODS
WE ARE AS GODS, the telling of the remarkable life during interesting times of Stewart Brand, does not fall into the trap of hagiography. Mostly. It is hard not to fall under the spell of someone who, as one talking head puts it, has been at the right place at the right time so often… Read More »
INCREDIBLE BUT TRUE (INCROYABLE MAIS VRAI)
One of the many delightful things about Quentin Dupieux’s films is that they do not waste our time. They are a marvel of economy while at the same time seriously introducing a wealth of bemusing ideas in their tightly written, superbly absurd plots. And so it is with INCREDIBLE BUT TRUE (INCROYABLE MAI VRAI), a… Read More »
HE’S WATCHING
For the first 15 minutes or so of HE’S WATCHING, you might be forgiven if you think that this is just another semi-inspired entry into the found-footage sub-genre of horror. I’m not sure that isn’t exactly what filmmaker Jacob Estes intended. It certainly makes what follows all the more effective for it having lulled us… Read More »
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