PILGRIMAGE tells a dour tale of faith and fanaticism. Set in 13th-century Ireland, it blends mysticism with realpolitik in a time and place so distant from ours that a subtext of imperialism might be almost too subtle, while the vicious commonplaces of summary justice, revenge, and casual violence are all too vivid A prologue set… Read More »
DAVE MADE A MAZE
The search for meaning has never been more puckishly considered than in DAVE MADE A MAZE, an ingenious horror-fantasy-comedy of existential angst. Rife with metaphor and deadly origami come to life, it finds the time-space continuum falling victim to one man’s determination to finally finish something he started, and explores the deadly results of leaving… Read More »
COLUMBUS
Casey (Haley Lu Richardson) notes early on that one of the many architectural treasures of the titular COLUMBUS features elements that are off-center, but are still in harmonious balance. It is, as with so much else in this emotionally explosive but soft-spoken film, an exquisitely realized metaphor. A tale of seeming opposites with surprising and… Read More »
LOST IN PARIS
The spirit of Jacques Tati is alive and well in LOST IN PARIS, a charming comedy of coincidences (or is it fate?). As stylized as it is heartwarming, it is an unexpected love story set against the magical backdrop of Paris, with every movement, from a roasted red pepper on the loose, to a love… Read More »
ANGKOR AWAKENS: A PORTRAIT OF CAMBODIA
Robert H. Lieberman’s ANGKOR AWAKENS: A PORTRAIT OF CAMBODIA asks difficult questions and provides answers that are as illuminating as they are troubling. His portrait of Cambodia is refracted through the genocide that was inflicted on it by Pol Pot’s Khmer Rouge, a genocide that reduced the number of doctors in in a once prosperous… Read More »
PREVENGE
Written and directed with a suitably biting edge by star Alice Lowe, PREVENGE is a droll and razor sharp black comedy of a horror film that considers the terrors of pregnancy and the maternal instinct gone askew. Very askew. Lowe, with a perfect deadpan sense of purpose, wields her kitchen knife as an instrument of… Read More »
BUSTER’S MAL HEART
It becomes clear early on that at some point in Jonas’ life, he has taken leave of his senses. Or, rather, his world has come apart at the seams, and his mind has done its poor best to reconstruct it using odds and ends. Told in the not necessarily linear way that the mind operates… Read More »
TWENTY TWENTY-FOUR
You could, if so inclined, sit back and enjoy Richard Mundy’s counterintuitively dynamic film, TWENTY TWENTY- FOUR, merely as an engrossing study of a loner going slowly mad in isolation. As the difference between reality and madness builds to a fever pitch, the mystery of what exactly is happening in Roy’s underground bunker matches the… Read More »
THE VOID
THE VOID is a beautifully executed horror film that pays homage to the genre’s roots while carving out its own enigmatically creepy mythos. Playing on such familiar tropes as the deserted farmhouse, the dark basement, and an axe swung with abandon, it takes place over the course of one night in a soon-to-be abandoned hospital… Read More »
THE LURE (Córki dancingu)
THE LURE is a wickedly feminist revision of the Little Mermaid story, though our heroines are sirens, not mermaids. Sirens as in those enticing creatures that would lure sailors to their doom with their irresistible songs. In Homer’s The Odyssey, it was to see them shipwrecked, in THE LURE, it’s to dine on them. These hybrid… Read More »
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