Again let us praise the giddy delight that the minions provide. Sure, they have trouble carrying their own films, but as the dada-esque relief, particularly of a middling film, they are a tonic for the soul that gives us the strength to hang on until the final credits, where they provide some of the best… Read More »
IF
Click here for the flashback interview with John Krasinski for THE HOLLARS. John Krasinski’s great strength as a filmmaker is that he can capture the full spectrum of emotions, the fleeting bit of comfort in remembering a loved one who has died while the grief is still raw, or the poignant joy of remembering… Read More »
WONKA
It would have been more wrong than I can enumerate not to reference 1971’s WILLIE WONKA AND THE CHOCOLATE FACTORY in its prequel, WONKA. Hence the purple cutaway coat, the top hat, and not just the only possible Oompa-Loompa song, but also the signature wistfulness of “Pure Imagination” by Leslie Bricusse & Anthony Newly. Screenwriters… Read More »
HOCUS POCUS 2
If you were even mildly enchanted, amused, chilled, or any combination of those three, by the original HOCUS POCUS, I beg you to avoid the sequel at all costs. It is a travesty of a flick, and an insult to that darkly whimsical tale of 29 years ago. To remind you, it introduced us to… Read More »
PINOCCHIO
Just because you >can< render an animated classic into a live-action CGI extravaganza doesn’t mean that you should. Case in point, PINOCCHIO. It’s not an awful film but bringing the animated characters into the real world doesn’t add anything to the story of a little wooden puppet who dreams of being a real boy. Rather,… Read More »
FIRE OF LOVE
Dosa infuses her story with a dash of the mythic, honoring her subjects who came to see volcanoes in mythic terms despite being rigorous scientists. There is more here than can be explained in merely factual terms.
MINIONS: THE RISE OF GRU
There is a great deal of mileage to be had with characters as intrinsically adorable the Minions. And MINIONS: THE RISE OF GRU takes it as far as it can go with a script that wobbles as uncertainly as Otto, the most loyal and least competent of little yellow creatures, does on the steep streets… Read More »
HOTEL TRANSYLVANIA: TRANSFORMANIA
HOTEL TRANSYLVANIA: TRANSFORMANIA is a relentlessly obvious and overplayed exercise in draining the last dregs from a moribund franchise. Let me put it this way. Adam Sandler, not known for discriminating taste in projects, took a pass on this material that continues the saga of Drac, the vampiric proprietor of the titular establishment that caters… Read More »
THE ADDAMS FAMILY 2
There are many words that spring to mind when viewing THE ADDAMS FAMILY 2, and few of them are laudatory. The twisted humor of Charles Addams’ original cartoon, or of the cult-classic of the 60s television series, or of the previous incarnation of the franchise are little in evidence in this dreary exercise in, of… Read More »
LUCA
With LUCA, Disney/Pixar takes us back under the sea with a film that makes no secret about wanting to tug at our heartstrings. Using sentiment and slapstick, it explores not only bullying, childhood bonding, and the importance of expanding one’s horizons, but also that delicate struggle between safeguarding one’s children, and letting them find their… Read More »
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