DOCTOR STRANGE you ask? Let me sum up the latest cinematic offering from Marvel Comics in one word: spectacular. From a whiz-bang opening sequence where space folds in on itself as combatants hurl magical fire at on another, to the charismatic, ahem, marvel that is Benedict Cumberbatch in the title role, this action film is… Read More »
OUIJA: ORIGIN OF EVIL
I was not a fan of the original OUIJA, which I found to be predictable in plot and pedestrian in execution. Its prequel, however, OUIJA: ORIGIN OF EVIL, is (almost) the exact opposite. Set in 1967, it reveals what happened in that spooky craftsman cottage when Aunt Lina (Annalise Basso) was just a high-school sophomore… Read More »
A MAN CALLED OVE (En man som heter Ove)
When we meet the title character of A MAN CALLED OVE, he is having a very bad day. Squabbling with shop clerks, policing his neighbors regarding littering and pets, and being fired at almost 60 from the job he’s had since he was 16. Ove’s face is a study in dour dyspepsia, and his attitude… Read More »
DENIAL
DENIAL is a lean, literate, and emotionally devastating film. It’s based on the true story of Emory history professor Deborah E. Lipstadt’s (Rachel Weisz) legal battle in the British courts to prove that the Holocaust had actually taken place and was not, as asserted by Holocaust deniers, a construct invented by world Jewry as part… Read More »
DEEPWATER HORIZON
Peter Berg’s DEEPWATER HORIZON does not mince cinematic words when it comes to telling the story of the worst off-shore oil rig disaster in history. It can be summed up in three words. Profit over people. It’s a screed, alright, but a compelling, and beautifully crafted one about ordinary people facing the unimaginable with courage… Read More »
MISS PEREGRINE’S SCHOOL FOR PECULIAR CHILDREN
I have not read the eponymous novel on which MISS PEREGRINE’S HOME FOR PECULIAR CHILDREN Is based, but a quick check of the of the Wikipedia entry for it reveals that for the screen adaptation many of the characters have been modified and plot point changed. This is not uncommon, and when the original source… Read More »
SULLY
As lean and laconic as its director, Clint Eastwood’s SULLY is a gripping but (mostly) unsentimental retelling of how Captain Chesley “Sully” Sullenberger safely landed his stricken American Airlines plane in the Hudson River after suffering a bird strike on January 15, 2009. To the public, and the lives of the passengers he saved, he was… Read More »
BEN-HUR
Any version of BEN-HUR has a great deal to live up to with the chariot race that is the climax of the story’s action. Well, until now, but more about that later. Timur Bekmambetov’s retelling does, indeed, get the chariot race right. It’s one of the few things that are right with this curiously inert… Read More »
GHOST TEAM
GHOST TEAM starts strong with its tropes dissecting the ennui, frustration, and quiet desperation to be found in a life of settling rather than one of following a dream. Indeed, there are moments that are so achingly precise in terms of visually translating those emotions for the screen, and in performances that are not so… Read More »
NERVE
NERVE is a triumph of style. It is a slight story that fails on every level but two, and those are the ones that are the most important. Do we care about what happens to our unlikely heroine? Do the increasingly dangerous dares that make up that slight story keep us on the edge of… Read More »
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