THE DARKNESS, released without a press screening, and on Friday the Thirteenth, is everything you’d expect. It’s a tame and insultingly derivative version of POLTERGEIST, right down to the sulky teenage daughter and the darling little kid who sees spirits. That the little kid is a boy, not a blond cherub of a girl, and… Read More »
X-MEN: APOCALYPSE
X-MEN APOCALYPSE is as big and bold as a special effect-laden action-adventure flick should be. It’s also audacious enough to make the story about more than leveling the planet or finding new ways to decapitate people. As with the best in this series from the Marvel Comics universe, the real enemy is the lethal combination… Read More »
BLING
BLING is a perfectly sweet, perfectly gentle, and perfectly harmless bit of fluffy animated comedy that will delight kids whose ages fall in the single digits. True love is the theme, and the difficulties of overcoming both self-doubt and Oscar (Jason Kravitz), an evil supervillain, provide the obstacles as mechanical whiz-kid Sam (Taylor Kitsch) spends… Read More »
CAPTAIN AMERICA: CIVIL WAR
CAPTAIN AMERICA: CIVIL WAR asks the cinematic question “What would happen if we took a whole passel of superheroes from the Marvel Comic universe and tossed them together into one film?” But wait, what if we pitted them against one another over a fundamental difference of opinion about ethics, and then added a dash (or… Read More »
THE FIRST MONDAY IN MAY
It was the year that Sarah Jessica Parker showed up in a literally flamboyant head piece, and the year that Kim Kardashian showed up in (almost) literally nothing, and never has so much ridden on the strategic placement and secure fastening of paillettes and lace appliques. It was the 2015 Met Gala, the one that… Read More »
MIDNIGHT SPECIAL
MIDNIGHT SPECIAL is a film that plays with its audience’s sense of normality. Beginning in the conventional and slowly, almost imperceptibly, moving us from the quotidian drama of a kidnapped child and a father’s unconditional love, into a boldly unconventional consideration of that elusive point where science and spirituality merge. There is nothing predictable here,… Read More »
THE DIVERGENT SERIES: ALLEGIANT
As is the wont with these franchises based on young adult novels, THE DIVERGENT SERIES: ALLEGIANT, the third in the series, begins where the last one left off. No flashback montage, no character narration bringing us up to date. Instead, there’s just a quick reminder that Jeanine is dead, and that everyone on screen is… Read More »
GODS OF EGYPT
The ancient Greeks preached moderation in all things, and while GODS OF EGYPT is set in that ancient land, not the Peloponnese, I was put in mind of that advice. This is a film of craven excess in all things except what would have helped most: a good script. For two hours or so, we… Read More »
HAIL, CAESAR!
If Douglas Sirk had directed a film noir written by Billy Wilder, it might have looked something like HAIL, CAESAR!, the latest thoughtful tangle of philosophy and whimsy from the Coen Brothers. Taking place in a 1951 Hollywood not entirely unlike the one that actually existed, it mixes Cold War paranoia, carefully managed studio PR… Read More »
THE CHOICE
After a press screening, the film’s local publicist will ask for a reaction. After seeing THE CHOICE, and not wanting to dwell on the film’s myriad faults, I chose to respond by saying that I liked the pelicans. Majestic, improbable creatures that look like something from the Upper Triassic, in one of the film’s many… Read More »
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