Just as I was thinking what a waste Tom Hardy was in VENOM: LET THERE BE CARNAGE, I remembered that Mr. Hardy, who was so impressive in INCEPTION, MAD MAX: FURY ROAD, THE DARK KNIGHT RISES, and a slew of other films, co-produced this sequel to VENOM, and also came up with the story. The… Read More »
REMINISCENCE
There is a persistent torpor to REMINISCENCE, a film that tries to be many things and fails for the most part. Rife with visuals that evoke a disquieting dreamlike state, the story, an ersatz neo-noir set mostly between sunset and sunrise, drones along with the cinematic equivalent of a mosquito’s interminable buzz on a humid… Read More »
JUNGLE CRUISE
Disney surprised us all when it turned one of Disneyland’s attractions, Pirates of the Caribbean, into a top-notch action/adventure/comedy. Alas, Disney has surprised us again, but with JUNGLE CRUISE, based on one of the venerable attractions from that ci-mentioned theme park, it’s more along the lines of disappointment. We relive that attraction in due course,… Read More »
BLACK WIDOW
Braids, French and other, loom large in the visuals of BLACK WIDOW, and it is an apt metaphor. The ultra-femininity of long, flowing hair rigorously trained into orderly rows of tightly disciplined tresses echoes the rigorous training given to ultra-feminine assassin-turned-Avenger Natasha Romanoff, the eponymous super-heroine in this her first spinoff from the Marvel Universe.… Read More »
F9: The Fast Saga
I get it. After eight installments of souped-up cars zooming (in the old sense) across the screen, the stakes are very high in F9: THE FAST SAGA, a franchise that is dedicated to finding new ways to crash, crumple, and otherwise decimate automobiles. And so including a Pontiac Fiero tooling around in space should not… Read More »
A QUIET PLACE 2
There is something wonderfully cathartic about spending an hour-and-a-half or so being kept on the edge of one’s seat in a state of suspenseful terror. And thus does John Krasinski’s A QUIET PLACE 2 deliver. As excellent as it would have been as an entertainment if it had enjoyed its original, pre-pandemic release date, the… Read More »
CRUELLA
It’s somewhere In the third act that CRUELLA goes from being a frothy Disney confection to a Guy Ritchie knock off. Until then, this origin story about the woman who wanted to turn 101 dalmatians into outer wear is pure eye candy with a villainess more deliciously reprehensible than Cruella herself, and even more overdressed.… Read More »
VOYAGERS
Even though there is something worthy in concocting a tale where the philosophical conundrums of free will versus determinism vie with a rumination on human nature red in tooth and claw, VOYAGERS is, at best, a moribund Kubrick redux meets The Lord of the Flies. It confuses slow pacing with gravitas, and whispered dialogue with… Read More »
GODZILLA VS. KONG
If there were special awards for truth in advertising when it comes to movie titles, GODZILLA VS. KONG would sweep them. Essentially, that is all there is to this extravagant spree of special effects and occasional camp. The plot, and there is a great deal of it, is completely subservient to upping the ante when… Read More »
THE COURIER
Based on a true story, THE COURIER takes us back to the Cold War and the palpable threat of nuclear annihilation. Once again, we are reminded that it was as much luck as it was diplomacy or mutually assured destruction that prevented World War III. In this case, the good luck of two people for… Read More »
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