THE APPRENTICE takes as its focus the relationship between Roy Cohn and the young and hungry Donald Trump of the 1970s. This would be the callow Trump who was stifled by the long shadow cast by his father, Fred (Martin Donovan), and the utter cluelessness about how to play an all too easily rigged system… Read More »
A DIFFERENT MAN
Hell, opined Sartre, is other people, and I am not here to argue with that. I am here to note that filmmaker Aaron Schimberg has made an excellent counterpoint to that idea with A DIFFERENT MAN, an engrossing trip to Hades that is archly, and self-referentially metaphorical as it discovers that Hell is also oneself.… Read More »
MEGALOPOLIS
It feels like the right thing to do when reviewing MEGALOPOLIS: A FABLE is to wait for the director’s cut. It’s an impulse as fractured as the film itself considering that Francis Ford Coppola sank his own money into making this film and thereby had final cut. Still, for all the disjointed execution this frustrating… Read More »
THE KILLER’S GAME
Dave Bautista deserves so much better than THE KILLER’S GAME, (based on the book of the same name by Jay Bonansinga). What is translated to the screen is a misguided effort that essays several tones without ever settling successfully on one. Bautista is an actor that has shown himself to be more than the cartoon… Read More »
SPEAK NO EVIL
First, we must speak of trailers that give too much away, something that dampened the exquisite terror of SPEAK NO EVIL for me. Its trailer deprives those who see it of the joy in discovering the twists and turns the story uses in order to turn the film into something other than what we expect… Read More »
BLINK TWICE
With BLINK TWICE we traverse the sticky territories of toxic masculinity, cultural power structures, and the apology industry that has grown out those first two phenomena. While it’s script by E.T. Feigenbaum and director Zoë Kravitz sometimes hangs together with spit and baling wire, there is no denying the gut punch it delivers with suspense… Read More »
THE CROW
The word that best describes THE CROW is moribund. Even during the ecstatic orgy of bloodletting that caps this reboot of Alex Proyas’ 1994 film, it is somnambulant as it goes through its paces charting the lengths to which true love can push a young man when faced with the devil. Or his charming associate… Read More »
DIDI
DIDI, meaning younger brother in Mandarin, starts as the typical coming-of-age story, but quickly builds into something bigger. This semi-autobiographical film by Sean Wang takes us to Fremont, CA in the summer of 2008, when its eponymous 13-year-old character, Chris “Wang Wang’” Wang (Izaac Wang) is spending a quietly tumultuous August failing at life but… Read More »
ALIEN: ROMULUS
ALIEN: ROMULUS may be the strongest entry into the franchise since the original. Certainly, this taut thriller provides strong characters, and an even stronger sense of dread, concentrating on the horror of the unknown that turns out to be as unstoppable as it is homicidal. The high-minded philosophical musings found in PROMETHEUS, for example, are… Read More »
DEADPOOL AND WOLVERINE
It is a fine line to walk, loving a pop culture phenomenon with all your being, yet being able to make mad sport of it at the same time. Thus is DEADPOOL & WOLVERINE, the ultimate fanboy and fangirl experience of the Marvel Universe that manages to be both wickedly funny and curiously reverent. Deadpool… Read More »
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