The 9th film from Quentin Tarantino, aka ONCE UPON A TIME . . . IN HOLLYWOOD, takes us back to 1969, and a land of fragile dreams, transactional relationships, and the manifestation of the dark side of it all in the form of Charles Manson (Damon Herriman). Manson himself has but a cameo in the… Read More »
THE ART OF SELF-DEFENSE
As a trenchant examination of the roots, expression, and consequences of toxic masculinity, THE ART OF SELF DEFENSE has no peers. As a black comedy told with a straight face and a tone of conviction, it is a first rate guilty pleasure. Any film that can draw guffaws as a small child is gently choked… Read More »
MIDSOMMAR
At the end of MIDSOMMAR, our much put-upon heroine, Dani (Florence Pugh) smiles. It’s her first real smile of the film, and how she got there is a tale of bucolic splendor, ecological harmony, and psychic terror. Brought to us by Ari Aster, the iconoclastic mind behind HEREDITY, it finds in parable and metaphor the… Read More »
ANNA
There is in Luc Besson’s ANNA fully one-third of a very good movie. That third is a finely drawn satire, cartoonishly violent in its sublimation of female rage as it addresses female exploitation in the modern world using the milieus of espionage and modeling as the metaphor. The other two-thirds is a plodding retread of… Read More »
THE DEAD DON’T DIE
THE DEAD DON’T DIE takes the tropes, idioms, and beloved foibles of low-budget zombie flicks and, with a skillful flick of its auteur’s cinematic wrist, recontextualizes them into a stylized gloss on the new normal of 2019. Certainly the “Make America White Again” ball cap sported by the most reviled citizen (Steve Buscemi) of sleepy… Read More »
BRIGHTBURN
What we have here is a dynamite premise fumbled in the execution. BRIGHTBURN gives us a strange visitor from another planet crashing to Earth as a baby and taken in by a good-hearted, infertile farm couple (Elizabeth Banks, David Denman) in the midst of baby fever. As with that other story of an infant from… Read More »
JOHN WICK: CHAPTER 3 — PARABELLUM
There is no doubt that part of the appeal of an action film is the chance to see things out of the ordinary. Like things being blown up real good, or brawls that shatter the laws of physics. And so it is with JOHN WICK: CHAPTER 3 – PARABELLUM, based on the graphic novel series. … Read More »
HELLBOY
There are many ways for a film to go wrong, and while HELLBOY may not have explored all of them, it has certainly come very close. Dialogue that is not nearly as clever as it thinks it is, editing that teeters between pedestrian and laughable, and a story that is merely an excuse for carnage… Read More »
THE BEACH BUM
There are precisely two redeeming features in Harmony Korine’s latest work, THE BEACH BUM. One, and I don’t care if this is a spoiler or not, the cat is just fine as the end credits roll. Two, Martin Lawrence as the dolphin-loving Captain Whack. He’s so good, in fact, that one hopes for a spin-off… Read More »
GIANT LITTLE ONES
GIANT LITTLE ONES is a perceptive, intelligent examination of what happens when unexpected feelings and actions don’t have neat labels. In a time when acceptance of teenage sexuality, at least straight sexuality, has become the norm for most concerned, both parents and their sexually active kids, the question of sexual fluidity can still flummox.
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