Amy, we hardly knew ye
NORMAN: THE MODERATE RISE AND TRAGIC FALL OF A NEW YORK FIXER
The title character of NORMAN: THE MODERATE RISE AND TRAGIC FALL OF A NEW YORK FIXER, lives in a world of endless possibilities. Spinning schemes, half-truths, and complete fictions into a confident spiel about enormous profits and helpful introductions, he wanders the streets of New York stalking his prey of people on the edges of… Read More »
THE ASSIGNMENT
The subject matter in Walter Hill’s THE ASSIGNMENT will make half the audience cringe in a way that the other half, no matter how empathetic, won’t be able to fully understand. And that’s sly. This brutal exercise in gender studies, masquerading as a biting action-noir fable, is rife with irony and with bald truths designed… Read More »
THE BLACKCOAT’S DAUGHTER
THE BLACKCOAT’S DAUGHTER is a strikingly original horror tale told with an eerie and elegant style. The polished visuals, as chilly as the winter in which they take place, though, provide an unsettling framework for the visceral suspense of an ordered world falling quietly apart. It’s augmented with a sound design that is, against all… Read More »
MEAN DREAMS
MEAN DREAMS begins with a snake and ends with an apple. In between it is less bible story than a stark noir set in the bucolic autumnal countryside where Jonas (Josh Wiggins) and Casey (Sophie Nélisse), two emotionally damaged teenagers, meet and become each other’s unlikely salvation. Each is the child of fathers that are,… Read More »
LIFE
Stephen Hawking once opined that when we first make contact with alien life forms, it won’t go well for us. LIFE takes that premise and gives it a derivative ALIEN-esque story and a lackluster execution of same. Set in the near future, aboard the International Space Station, it presents a dark vision of our first… Read More »
THE OTTOMAN LIEUTENTANT
THE OTTOMAN LIEUTENANT is a slight but eminently humane story, lushly filmed, and richly romantic. It follows the classic tropes of the romance genre, enhanced with nuanced performances that elevate what might otherwise be stock characters in a plot with few surprises. The biggest surprise being that it is so satisfying as entertainment, and as… Read More »
LOGAN
The standalone X-Men story, LOGAN, dares much with its darkness, and achieves even more by being an emotionally brutal story that relies on character, not spectacle, to pack its considerable wallop. A tale that is as psychically violent as it is physically so, it is a sharp descant to the earlier films in the franchise… Read More »
JOHN WICK: CHAPTER 2
JOHN WICK: CHAPTER 2 starts with Mr. Wick doing what he does best. That would be mowing his way through a horde of adversaries with a cool precision and a lethal effect. While he is doing this, we are reminded, or introduced to, if we haven’t see the first film, just who exactly Mr. Wick… Read More »
A CURE FOR WELLNESS
Playing on the most primal of fears is a time-honored horror tradition. And Gore Verbinski’s A CURE FOR WELLNESS does just that. And then continues to do so for an unwarranted running time of around two-and-a-half hours. This hodge-podge of dental torture, putative madness, and a very clumsy use of eels as metaphor wears out its welcome well before the final credits roll, skittering at the end, and pell-mell at that, towards an ending that is painfully obvious and even more painfully trite.
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