With LONGLEGS, writer/director Oz Perkins has created an original tale of horror set in the 1990s while staying true to familiar tropes. There’s an unhinged suspect, a series of family slaughters that don’t ring true to a murder/suicide scenario, and a neophyte FBI agent at the center of the case in ways she didn’t see… Read More »
MAXXXINE
At one point in MAXXXINE, a character says that it’s all about money. But that’s not true, at least not in this story of Maxine Minx (Mia Goth), born Miller, who has reached the top of the adult film industry, but at 33, knows that the clock is ticking on her career in porn. And… Read More »
DADDIO
Abbas Kiarostami’s goal as a filmmaker was to make a film that took place entirely in a car. He got his wish with the wonderful TEN. Since then, we’ve been treated to other efforts confined to a single space that seem doomed by aren’t. Think Stephen Knight’s excellent drama, LOCKE, Ryan Reynold’s tour de force… Read More »
THE BIKERIDERS
It was a bold choice to make a woman the primary narrator of THE BIKERIDERS. Based on the photo book of the same name, and the interviews within it by Danny Lyon, it details the rise of the Vandals biker club in 1950s Chicago and takes us through its golden era that lasted until the… Read More »
BAD BOYS: RIDE OR DIE
The bad boys are back and, despite pre-emptive acknowledgements about how time is catching up with Miami’s most bombastic comedy duo of cop partners, the action is as fresh and fun as ever in BAD BOYS: RIDE OR DIE. If the schtick between “sensible” Mike and buffoonish Marcus isn’t quite as fresh or fun, transmogrifying… Read More »
BACK TO BLACK
Any success enjoyed by the Amy Winehouse biopic, BACK TO BLACK, rests squarely on the frail shoulders of the actress playing the singer, Marisa Abela. With an outsized presence like Winehouse herself, Abela channels Winehouse’s violence and vulnerability, making her at once a lost little girl and a musical powerhouse who refused to be pigeonholed… Read More »
WICKED LITTLE LETTERS
Social change has come to 1920s Littlehampton in the person of Rose Gooding (Jessie Buckley), a foul-mouthed pub-roisterer of an Irish immigrant to this sleepy little English town. More specifically, her unconventional choices, including raising her daughter on her own and living with a man (Malachi Kirby) to whom she is not married, predictably raise… Read More »
IN THE LAND OF SAINTS AND SINNERS
IN THE LAND OF SAINTS AND SINNERS is a melancholy study of the futility of violence. Set in the war-torn Northern Ireland of 1974, it features a performance by Liam Neeson that is considered, measured, and infinitely eloquent for its silences in a story that eschews politics as it finely observes the consequences of choices,… Read More »
PROBLEMISTA
There is so much to admire about Julio Torres’s PROBLEMISTA, from its magnificent manifestations of metaphor to its tweaking of subjective norms and random exploitation in a provocative satire as dark as night, but as hopeful as a buoyant full moon. The one that reigns supreme, though, is what Torres has done with the desperate,… Read More »
IMMACULATE
The first and last words spoken in IMMACULATE are the Hail Mary. That prayer takes on very different meanings in each context, and in between them we have a film that is uneven, but oddly fascinating. Taken on one level, it is a screed against the patriarchy, with a woman reduced to her womb. On… Read More »
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