Stephen Hawking once opined that when we first make contact with alien life forms, it won’t go well for us. LIFE takes that premise and gives it a derivative ALIEN-esque story and a lackluster execution of same. Set in the near future, aboard the International Space Station, it presents a dark vision of our first… Read More »
THE OTTOMAN LIEUTENTANT
THE OTTOMAN LIEUTENANT is a slight but eminently humane story, lushly filmed, and richly romantic. It follows the classic tropes of the romance genre, enhanced with nuanced performances that elevate what might otherwise be stock characters in a plot with few surprises. The biggest surprise being that it is so satisfying as entertainment, and as… Read More »
LOGAN
The standalone X-Men story, LOGAN, dares much with its darkness, and achieves even more by being an emotionally brutal story that relies on character, not spectacle, to pack its considerable wallop. A tale that is as psychically violent as it is physically so, it is a sharp descant to the earlier films in the franchise… Read More »
JOHN WICK: CHAPTER 2
JOHN WICK: CHAPTER 2 starts with Mr. Wick doing what he does best. That would be mowing his way through a horde of adversaries with a cool precision and a lethal effect. While he is doing this, we are reminded, or introduced to, if we haven’t see the first film, just who exactly Mr. Wick… Read More »
A CURE FOR WELLNESS
Playing on the most primal of fears is a time-honored horror tradition. And Gore Verbinski’s A CURE FOR WELLNESS does just that. And then continues to do so for an unwarranted running time of around two-and-a-half hours. This hodge-podge of dental torture, putative madness, and a very clumsy use of eels as metaphor wears out its welcome well before the final credits roll, skittering at the end, and pell-mell at that, towards an ending that is painfully obvious and even more painfully trite.
THE COMEDIAN
THE COMEDIAN makes me want to forgive Robert De Niro for BAD GRANDPA. Almost.
PATRIOT’S DAY
PATRIOT’S DAY is two films, one perfectly competent, the other one a skillful blend of character study and taut suspense. Perhaps this is why the studio’s rep in San Francisco scheduled and cancelled not one, but two, For Your Consideration screenings for critics groups last month). Based on the events leading up to, during, and… Read More »
LIVE BY NIGHT
LIVE BY NIGHT is so sumptuously photographed that it can almost make up for its shortcomings. Based on the novel of the same name by Dennis Lehane, it has weathered its translation by becoming a slight story heinously overblown. It also suffers from too many false endings. So many, in fact, that I can’t vouch… Read More »
SILENCE
Academics are taught to write with a dispassionate yet highly detailed style for their scholarly treatises. That is the approach that Martin Scorsese has taken with SILENCE, his philosophically dense and immaculately rendered film of Shusaku Endo’s book of the same name. The result is a maddening film more to be admired than enjoyed as… Read More »
PATERSON
PATERSON is the quintessence of everything Jim Jarmusch has done before. Playful in approach, deeply philosophical in meaning, it is a lyrical evocation of joy and sorrow as lived by a bus driver/poet during one eventful yet ordinary week in his life. The bus driver (Adam Driver), his route, and the city in which he lives… Read More »
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