The world of JJ Abrams is rife with Easter Eggs and red herrings. He has such a penchant for them that one can be forgiven for finding them even when they may or may not be intentional. Take, for example, a conversation in 10 CLOVERFIELD LANE, a film he produced, but did not write or… Read More »
EYE IN THE SKY
As if we needed to be reminded of what a loss Alan Rickman’s death represents to cinema, we have his final speech in Gavin Hood’s incisive consideration of collateral damage and the ethics of warfare, EYE IN THE SKY.
LONDON HAS FALLEN
Full disclosure, I was not a fan of OLYMPUS HAS FALLEN, the previous film exploring the victim/savior relationship between President Benjamin Asher (Aaron Eckhart) and crack Secret Service agent Mike Banning (Gerard Butler). Thus, I was not hoping for much when I approached LONDON HAS FALLEN. The trick to staying sane in this business is… Read More »
WHISKEY TANGO FOXTROT
WHISKEY TANGO FOXTROT is being sold as a comedy and that shortchanges everyone. Based on the memoir by Kim Barker, “The Taliban Shuffle: Strange Days in Afghanistan and Pakistan,” about her time in the early 2000s as a war correspondent in Afghanistan, it is a trenchant look at media, politics, and the separate reality that… Read More »
MARGUERITE
MARGUERITE is a glorious evocation of philharmonia. Not the orchestra, but the amour fou found in the most passionate devotees of music. In a story about deception, devotion, and transcendence, the object lesson is not about talent, but rather the giddy delight in being totally immersed in the art that you love, even if it… Read More »
THE WITCH
The true horror in THE WITCH does not lie in its supernatural underpinnings. Rather this dour psychological thriller plumbs the depths of madness that human nature invites upon itself with a closed mind and a conviction of righteousness. Set in a New World colony in the early 17th century, it is an incisive deconstruction of… Read More »
THE WAVE (Bølgen)
A refreshing Nordic reserve permeates the action/adventure in Norway’s Oscar™ contender, THE WAVE. While most films vying for the foreign language award are of the small, intimate, and character-driven variety, THE WAVE pulls out all the stops with a disaster epic that is edge-of-your-seat suspenseful. Even the usual clichés to be found in the genre… Read More »
RAMS (Hrútar)
In northern Iceland where distractions are few, there is time enough to refine feuds to a fine art. And so it is with brothers Gummi (Sigurður Sigurjónsson) and Kiddi (Theodór Júlíusson), the metaphorical rams of RAMS, whose 40-year feud has been fueled by living side by side for all that time on the sheep ranch… Read More »
DEADPOOL
Exhibiting a hearty dose of irony and a mordant sense of humor, DEADPOOL exuberantly embraces the conventions of the super-hero genre while fearlessly pricking the more pretentious conventions of same. There is in this tale of a man who has super powers, but refuses to be a hero, evinces a bold and bracing willingness to… Read More »
REGRESSION
Alejandro Amenábar directed Nicole Kidman to one of her best performances in THE OTHERS, a horror film that was both haunting and clever. The full review of that fine film is here, and I recommend watching that instead of REGRESSION, a film that is equally atmospheric, but diffused in its mounting terror, rather than sharply… Read More »
- « Previous Page
- 1
- …
- 22
- 23
- 24
- 25
- 26
- …
- 31
- Next Page »