WHISKEY TANGO FOXTROT is being sold as a comedy and that shortchanges everyone. Based on the memoir by Kim Barker, “The Taliban Shuffle: Strange Days in Afghanistan and Pakistan,” about her time in the early 2000s as a war correspondent in Afghanistan, it is a trenchant look at media, politics, and the separate reality that… Read More »
MARGUERITE
MARGUERITE is a glorious evocation of philharmonia. Not the orchestra, but the amour fou found in the most passionate devotees of music. In a story about deception, devotion, and transcendence, the object lesson is not about talent, but rather the giddy delight in being totally immersed in the art that you love, even if it… Read More »
THE WITCH
The true horror in THE WITCH does not lie in its supernatural underpinnings. Rather this dour psychological thriller plumbs the depths of madness that human nature invites upon itself with a closed mind and a conviction of righteousness. Set in a New World colony in the early 17th century, it is an incisive deconstruction of… Read More »
THE WAVE (Bølgen)
A refreshing Nordic reserve permeates the action/adventure in Norway’s Oscar™ contender, THE WAVE. While most films vying for the foreign language award are of the small, intimate, and character-driven variety, THE WAVE pulls out all the stops with a disaster epic that is edge-of-your-seat suspenseful. Even the usual clichés to be found in the genre… Read More »
RAMS (Hrútar)
In northern Iceland where distractions are few, there is time enough to refine feuds to a fine art. And so it is with brothers Gummi (Sigurður Sigurjónsson) and Kiddi (Theodór Júlíusson), the metaphorical rams of RAMS, whose 40-year feud has been fueled by living side by side for all that time on the sheep ranch… Read More »
DEADPOOL
Exhibiting a hearty dose of irony and a mordant sense of humor, DEADPOOL exuberantly embraces the conventions of the super-hero genre while fearlessly pricking the more pretentious conventions of same. There is in this tale of a man who has super powers, but refuses to be a hero, evinces a bold and bracing willingness to… Read More »
REGRESSION
Alejandro Amenábar directed Nicole Kidman to one of her best performances in THE OTHERS, a horror film that was both haunting and clever. The full review of that fine film is here, and I recommend watching that instead of REGRESSION, a film that is equally atmospheric, but diffused in its mounting terror, rather than sharply… Read More »
JANE GOT A GUN
JANE GOT A GUN tries to evoke Leone (check the duster Jane sports) and Ford (check the mesas that surround her), but without the intensity of the former, or the adventure of the latter. What’s left is a stereopticon of a post-modern morality tale that can’t overcome its own inertia.
DIRTY GRANDPA
We will commence with the flensing of DIRTY GRANDPA momentarily. Before we begin, though, a brief summary of the plot of Mel Brooks’ THE PRODUCERS. In that film, more the original rather than the musical remake, we were delighted by the inspired but appalling behavior of producer Max Bialystock and Leo Bloom, his hapless accountant turned… Read More »
13 HOURS: THE SECRET SOLDIERS OF BENGHAZI
With his trademark bombast, Michael Bay addresses the tragedy of Benghazi with great attention to the details of battle, and only the most superficial of attitudes towards everything else. Based on the book by Mitchell Zuckoff that recounted the 2012 attack by local insurgents on the temporary American embassy and the CIA station in that… Read More »
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