The first image in SON OF SAUL is a green landscape that is out of focus. There is the sound of someone in distress, and the image of a man walking towards the camera until his impassive face fills the screen and comes into focus. Much else comes into focus in the course of this… Read More »
SISTERS
The one questions that reverberates through SISTERS is why didn’t the stars, Amy Poehler and Tina Fey, write the script? They are producers, after all, and would seem, therefore, to have the clout to get any script that they wanted made, and yet, they have opted to squander their considerable talents on an egregiously plug-and-play… Read More »
LEGEND
LEGEND is not the first biopic of the notorious Kray Brothers to hit the big screen. The identical twin brothers, who were both vicious gangsters and pop-culture celebrities in the 1950s and 60s, were portrayed by the Kemp brothers, Gary and Martin as Ronnie and Reggie respectively in 1990’s THE KRAYS, a film that spent… Read More »
SPOTLIGHT
SPOTLIGHT does more than dissect the passions at work in the investigative news process. As riveting as the specifics are of how The Boston Globe’s special investigative team chased down the sex-abuse scandal in the Catholic Church, it’s the larger question, that of how wide-spread sexual abuse of children by priests could have flourished for… Read More »
BLACK MASS
It is only the smallest of exaggerations to say that there are only two types of scenes in BLACK MASS. One is of James “Whitey” Bulger either having someone executed with a vicious precision, or doing the dastardly deed himself. The other is an assemblage of characters having an extended conversation about what has happened… Read More »
OUR BRAND IS CRISIS
OUR BRAND IS CRISIS is an oft told tale of political machinations played in the vacuum of the zero-sum game that is the electoral process in modern times. In it, we are reminded, candidates are products, issues are what the spin-meisters dictate, and the public is there to provide the score card used by which… Read More »
TRUTH
James Vanderbilt’s TRUTH is a careful, disturbing dissection of the triumph of style over substance, flash over facts, insinuated itself, and then took over, television news. Based on the book Truth and Duty: The Press, the President, and the Privilege of Power by Mary Mapes, it examines that moment in history when the eponymous truth… Read More »
ROOM
ROOM is a profound meditation on the human condition, a meditation as bittersweet as life itself, and as uplifting as a child’s innocence. Based on the novel by Emma Donoghue, it confronts the barbaric simplicity of captivity, by contrasting it with the confusing complexity of freedom. What should be easy is not. Happiness is elusive.… Read More »
CRIMSON PEAK
If CRIMSON PEAK offered nothing more than the creepiest bathtub specter since THE SHINING, it would still qualify as a monstrously entertaining film. But this is Guillermo del Toro directing and co-writing, and so the lushness of subtext mirrors the classically Gothic idiom of the story. The paranormal is the least disturbing of the elements… Read More »
AS ABOVE SO BELOW
Whatever else AS ABOVE SO BELOW has to recommend it, and it has several things that eminently do so, it has breathed a little fresh air into the found footage genre of horror film. This is a tidy little horror film heavy on mood, light on gore, and bursting with a refreshing originality of story… Read More »
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