ZERO DARK THIRTY starts, tellingly, with a dark screen and audio clips from 9/11. Air traffic control chatter, 911 calls, and the anguished, astonished voices of people who have no frame of reference for what is happening to and around them. In doing so, the film compels the viewer to relive that day not with… Read More »
THE STANFORD PRISON EXPERIMENT’s Heart of Darkness
In retrospect, the excesses of Abu Ghraib were all too accurately predicted by the now infamous behavioral experiment conducted in 1971 by Stanford professor, Dr. Philip Zimbardo (Billy Crudup). The dramatization as THE STANFORD PRISON EXPERIMENT wisely takes the clinical approach, employing the detachment of the scientific method in recreating the events that are as… Read More »
Amy Schumer is No TRAINWRECK
Turning gender roles neatly on their heads, Amy Schumer has created a screwball comedy of considerable substance. Taking sure aim at the abomination of the formula rom-com, she satirizes not just the genre, but the state of contemporary single-hood. Starring in a script of her own devising, she is fearless, relentless, and completely unapologetic as the titular hot mess, also named Amy, with commitment issues and a healthy libido.
The Last BOULEVARD
Robin Williams gives one of his finest performances in BOULEVARD, a film that allows him to explore the profound loneliness of a gentle man living a painful lie. Alas, it is a story far too fraught with convenient coincidences to be much more than a vehicle for Williams’ considerable depth and humanity. It is elevated,… Read More »
A Philosophical IRRATIONAL MAN
Some of Woody Allen’s best films deal with the problem of absolute ethics in a world that is full of moral ambiguity. CRIMES AND MISDEMEANORS beings the epitome of his musings on the subject, with lesser, but no less satisfying efforts such as MATCH POINT continuing the dialogue. In IRRATIONAL MAN, Allen has crafted another… Read More »
LILA & EVE Rewrites Revenge
As a portrait of perfect grief, LILA & EVE is unmatched. Blessed with a performance by Viola Davis as Lila, this is one of the best ever filmed. She is fierce, edgy, and heartbreaking as a single mother in a harrowing study of the limits of sanity in the face of unutterable tragedy. Unlike the… Read More »
MAGIC MIKE XXL: Flash and Dazzle
Steven Soderbergh is an executive producer of MAGIC MIKE XXL, but that is the only trace of that director to be found in this sequel that is more about joy than angst. Channing Tatum, returning as the eponymous male stripper, has taken the fun and dazzle from the original and eschewed most of the cerebral… Read More »
DOPE is Genius
DOPE is a provocative blend of gritty realism, gentle compassion, and piercing social satire that is so unlike anything that has come before that its maker, Rick Famuyima, may have just invented a new cinematic sub-genre in the spirit, and brilliance, of the Coen Brothers’ FARGO. Boldly venturing into issues of identity, class, gender, sexuality,… Read More »
A LITTLE CHAOS — A Little Too Little
A LITTLE CHAOS, not to be too precious about it, could have used a little more actual chaos. This handsomely executed historical drama is by turns ponderous and interesting, but interesting in a removed, unengaged fashion that renders the whole far less than the sum of its parts. Directed by co-star and co-writer Alan Rickman,… Read More »
SPY
When I reviewed BRIDESMAIDS, I spent a great deal of my verbiage on Melissa McCarthy’s supporting performance. Rarely had I seen an actress, or actor for that matter, so fearless, so sure of him- or herself, and with such a preternatural gift for discovering humor in the most unexpected places. She was nominated for an… Read More »
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