Social change has come to 1920s Littlehampton in the person of Rose Gooding (Jessie Buckley), a foul-mouthed pub-roisterer of an Irish immigrant to this sleepy little English town. More specifically, her unconventional choices, including raising her daughter on her own and living with a man (Malachi Kirby) to whom she is not married, predictably raise… Read More »
IN THE LAND OF SAINTS AND SINNERS
IN THE LAND OF SAINTS AND SINNERS is a melancholy study of the futility of violence. Set in the war-torn Northern Ireland of 1974, it features a performance by Liam Neeson that is considered, measured, and infinitely eloquent for its silences in a story that eschews politics as it finely observes the consequences of choices,… Read More »
PROBLEMISTA
There is so much to admire about Julio Torres’s PROBLEMISTA, from its magnificent manifestations of metaphor to its tweaking of subjective norms and random exploitation in a provocative satire as dark as night, but as hopeful as a buoyant full moon. The one that reigns supreme, though, is what Torres has done with the desperate,… Read More »
IMMACULATE
The first and last words spoken in IMMACULATE are the Hail Mary. That prayer takes on very different meanings in each context, and in between them we have a film that is uneven, but oddly fascinating. Taken on one level, it is a screed against the patriarchy, with a woman reduced to her womb. On… Read More »
DRIVE-AWAY DOLLS
DRIVE-AWAY DOLLS may be another proof of the universe’s entropy. You know, the rule that posits everything is slowly devolving into a state of disarray and incoherence. Or something along those lines. This effort by Ethan Coen certainly shows flashes of the oddball genius of the films he made with his brother, Joel, but the… Read More »
OUT OF DARKNESS
OUT OF DARKNESS is set 45,000 years ago, and uses a constructed language based on Basque, but it deals with some disturbingly contemporary and immediately recognizable issues. For a time and characters so remote from our experience, it is remarkable for how the story of a small band of hunter/gatherers resonates with all too identifiable… Read More »
ARGYLLE
Someone once opined, perhaps facetiously, that there is a fine line between stupid and brilliant. There isn’t. There is a wide yawning chasm that would take a super-laser traveling at the speed of light several millennia to cross, and even then, it would only register on the far side as a faint glimmer in the… Read More »
SALTBURN
Click here to listen to the interview with Emerald Fennell. It is fitting that SALTBURN starts with a flame. Emerald Fennell’s black comedy of a sophomore effort is, after all, a scorched earth approach to class warfare, and one that then proceeds to rub metaphorical salt in the wounds said warfare engenders. That’s it’s also… Read More »
THE BEEKEEPER
Yes, I’m going to say it again. Jason Statham makes everything better. Even in a dog of a flick, he’s worth watching (talking to you MEG 2: THE TRENCH). But when he’s in a well-crafted action flick that’s as fun as it is unpredictable, well, that’s darn near nirvana. And so it is with THE… Read More »
I.S.S.
I.S.S. is a thoughtful, disquieting consideration of loyalty and tribalism. Set in the near future aboard that symbol of cooperation, the International Space Station, it posits what would happen to the six scientists and military personnel aboard if war broke out down below. Gabriela Cowperthwaite has created a spare work that pushes aside the impressive… Read More »
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