WHEN YOU FINISH SAVING THE WORLD is a melancholy comedy about blindness and boundaries. Grounded by performances by Julianne Moore and Finn Wolfhard that are wonders of anger and pain and absurdity, it examines the volatile emotions lurking beneath a family’s thin veneer of civility as it reaches a breaking point when reality intrudes on… Read More »
BABYLON
In BABYLON, Damien Chazelle has given us several films about the last hurrah of silent films and the birth of synchronized sound. Some of them are good, some of them are muddled, and one of them is superb. Chazelle’s ambitious attempt to encapsulate a time and place provokes respect for the effort, even when it… Read More »
SHE SAID
SHE SAID is a compelling story that is well told by director Maria Schrader and screenwriter Rebecca Lenkiewicz. Based on the book of the same name by Jodi Kantor and Megan Twohey, it follows those two New York Times reporters as they crack the story of Harvey Weinstein’s decades of sexual harassment, abuse, and rape… Read More »
THE GOOD NURSE
There are two villains in THE GOOD NURSE, the based on the true-crime book by Charles Graeber, and the first English-language film from Tobias Lindholm (ANOTHER ROUND, THE HUNT). One villain is the serial killer, Charlie Cullen (Eddie Redmayne) who worked for years as a nurse killing patients while raising suspicions, but never prosecutions, at… Read More »
HALLOWEEN ENDS
HALLOWEEN ENDS fulfills its promise to take the battle between Laurie Strode (Jamie Lee Curtis) and Michael Myers (unknown shape played by James Jude Courtney) to its limits. Boasting four writers, including director and purveyor of the franchise reboot, David Gordon Green, this excursion takes us, alas, into muddled waters. Myers, on the loose since… Read More »
SMILE
Among the primates, expect for humans, widening the mouth and showing the teeth is a signal of aggression. In humans, it’s called a smile, and I’m sure that anthropologists have made much hay about that behavioral disconnect between us and our cousins. Parker Finn, in his feature film debut as writer and director, also makes… Read More »
THE GOOD HOUSE
Based on the novel of the same name by Ann Leary, THE GOOD HOUSE gives us a year in the life of Hildy Good (Sigourney Weaver), descendant of the first woman accused of witchcraft during the Salem witch trials, and the most successful realtor on Boston’s North Shore. She’s tough, smart, and her family’s financial… Read More »
DON’T WORRY DARLING
DON’T WORRY DARLING is not the most coherent of feminist manifestos, but it is an ambitious one, exploring as it does several variants of toxic masculinity, some unexpected, but no less pernicious for the surprise factor. Using a devoted couple, Alice (Florence Pugh) and Jack (Harry Styles) as the focal point of gender dynamics, the… Read More »
THE INFERNAL MACHINE
THE INFERNAL MACHINE begins as a spare and tense film driven by Guy Pearce’s measured performance as tormented author Bruce Cogburn. Alas, not even Pearce’s fine work as Cogburn slowly unravels from years of guilt can make up for a script whose third act becomes cryptically obtuse, rather than dynamically charged, before it just goes… Read More »
HONK FOR JESUS. SAVE YOUR SOUL.
HONK FOR JESUS. SAVE YOUR SOUL. is a deadly satire that exhibits a Christian compassion not always evident in its protagonists. Not that those protagonists have the self-awareness to register their lack of same. This satire finds much to mock when it comes to mega-churches and the gospel of prosperity, but it chooses to use… Read More »
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