Hard bodies, blue water, and a passel of music video moments strung together into the running time of a motion picture is what INTO THE BLUE is all about. It may silly, but at least it’s not offensive. The bodies in the persons of Jessica Alba and Paul Walker are taut and toned to perfection.… Read More »
TWO FOR THE MONEY
The human mind is an amazing thing. Over the course of evolution, it has developed a host of fascinating mechanisms geared towards its survival in any number of harsh environments, be it the plains of Africa a million years ago, or the terrors of bad cinema at today’s local multiplex. It’s the latter that stirred… Read More »
GOOD NIGHT AND GOOD LUCK
In a lesser film about Edward R. Murrow and the way he used television to bring down Joseph McCarthy, there would have been the obligatory unburdening scene with his wife. He would articulate the risks involved in what he was undertaking personally, professionally, and financially, have an emotional breakdown of some sort, and Mrs. Murrow… Read More »
ELIZABETHTOWN
If you are lucky enough to somehow manage to see only the first ten minutes or so of Cameron Crowe’s ELIZABETHTOWN, you will come away thinking that this has the makings of something interesting, dark, and just a little iconoclastic. Alas, it is followed by almost two hours of meandering randomness that quickly dispenses with… Read More »
THE FOG
You have to admire the way director Rupert Wainwright never lets a little thing like the specifics of plot interfere with the plodding pace he has set for THE FOG. It is as though he is following the exacting beat of a metronome and be it a scene of a babysitter watching a game show… Read More »
NORTH COUNTRY
I don’t know that NORTH COUNTRY can even be said to have its heart in the right place. I’m not even sure that it has a heart. In recounting the events leading up to a sexual harassment class-action suit brought by a suitably plucky female miner in Minnesota, it cheapens the story “inspired” by actual… Read More »
THE WAR WITHIN
THE WAR WITHIN charts a different sort of territory in its examination of the psychology of suicide bombers. Its protagonist, Hassan(co-writer Ayad Akhtar), isn’t a refugee, isn’t psychotic, isn’t an extremist of any kind, and far from living a hopeless existence with no future and a murky past, he’s cosmopolitan, well-educated, and more western than… Read More »
STAY
The failing of most very bad movies is that there was very little in the way of thinking that went into them. That is not the case with STAY. This overbearingly pretentious piffle has been overthought so much in its attempt to be clever and deep that rather than being engaging or mysterious or even… Read More »
SHOPGIRL
In the voice-over narration Steve Martin reads at the beginning of SHOPGIRL, based on his novella and for which he provided the screenplay, he informs the audience that the eponymous wage-earner of the piece, Mirabelle Buttersfield (Claire Danes), is special, if only people would realize it. He also informs us that she came to Los… Read More »
SAW II
SAW II suffers the fate of many sequels, it mimics the original without quite catching what made that original worth seeing. In SAW I, it was the impish perversity filmmakers Leigh Whannell and James Wan celebrated while plumbing the psychology of victims who have fallen prey to a serial killer with a singular style. Dubbed… Read More »
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