Even for the sort of low-rent horror flick that is dumped unceremoniously into theaters during the month of January, THE UNBORN is an embarrassing jumble. A little Kabbalah, a little Holocaust, a spooky kid with eyes that are a little too blue, and a whole lot of nubile female flesh in tank top and underwear… Read More »
BRIDE WARS
Sloppy writing and lazy direction are the hallmarks of BRIDE WARS, a stale story badly told. And that’s a shame because there is much to lampoon about the current state of the wedding business, where the complicated planning and execution can rival that of the Normandy Invasion during World War II. Perhaps it’s no accident… Read More »
PAUL BLART — MALL COP
Kevin James, star and co-writer of PAUL BLART: MALL COP should know how to play to his comedic strengths when penning a role for himself. He and writing partner, Nick Bakay, an alum of James’ sitcom, “The King of Queens”, however, aren’t so great at fabricating a long-form script around which to build on James’… Read More »
OUTLANDER
Beowulf meets Erich Von Danikan in OUTLANDER, a somber tale of Vikings, monsters, and stalwart warriors. Written by some of the same folks responsible for the UNDERWORLD franchise, it boasts the same gray look, spirit, and energy. The sci-fi portion of the script comes early and is then more or less left by the wayside.… Read More »
INKHEART
INKHEART is a dreary film about a clever idea. Director Iain Softely has dulled the edges of this tale of books that come to life a little too literally and the result is a leaden trudge through badly rendered character development and performances that are as dull as the ci-mentioned edges. The one exception is… Read More »
UNDERWORLD — RISE OF THE LYCANS
For those who have been waiting with bated breath for the back story in the UNDERWORLD mythos, the time has come with UNDERWORLD: RISE OF THE LYCANS. Everyone else can go about their lives in an orderly fashion secure in the knowledge that they are not missing a thing. Set in a time somewhere before… Read More »
HUMPDAY
HUMPDAY is a wry and perceptive comedy that is deadly serious about intimacy, sexuality, and the peculiar zero-sum form of competition that male bonding can manifest. Beyond gender, it also examines with a compassionate, if unflinching, eye the maddening fluidity of personal identity, the not so tidy ways people slice up themselves in order to… Read More »
INFORMANT!, THE
There is something poignantly human in the way that everyone in Steven Soderberghs INFORMANT!, comedy of corporate greed and earnest FBI investigation, so completely believes in what they want to see going right in front of their eyes. The kicker is that the prime mover in all of this, Mark Whitacre (Matt Damon), is so… Read More »
EXTRACT
There is a poetic, if not necessarily gentle, justice to Mike Judges paean to the working man and woman, EXTRACT. Not all of them are smart, but they all have an affinity for their chosen field, and a willingness to go all the way to achieve their respective dreams. Its bedrock American values skewed through… Read More »
INVENTION OF LYING, THE
THE INVENTION OF LYING is a wildly funny flick that never sacrifices its considerable humor, nor its even more considerable acuity when it comes to parsing human nature. A world without falsehood, or even a word for it, or for truth, for that matter, is the conceit at work, and co-writer and star Ricky Gervais… Read More »
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