It is a bold move to revisit a classic film, even if it is to make a prequel to it. Particularly when the studio involved, Disney, had tried, and failed, once before to produce the WIZARD OF OZ. That was in the early part of the last century, before MGM got hold of it in… Read More »
DEAD MAN DOWN
DEAD MAN DOWN begins and ends in a blaze of gunfire. In between if focuses on the smoldering anguish of two people longing for revenge, and fighting their better natures in order to achieve it. Though rife with elements that will get it categorized as an action flick, this film aspires to be a psychological… Read More »
IDENTITY THIEF
Melissa McCarthy and Jason Bateman are two of the funniest people on the planet. Theirs is the comedic version of perfect pitch, be it broad slapstick, or subtle irony, they take a line or a situation and wring from it every possibility for guffaws, chuckles, and even chortles. So why, when you have these two… Read More »
OLYMPUS HAS FALLEN
Antoine Fuqua has delivered many fine films that deal with the harsh, gritty, and dangerous aspects of the human condition. OLYMPUS HAS FALLEN is not one of them. This story is one of a terrorist attack on the seat of government, but the only real danger presented is killing the audiences will to live by… Read More »
THE CROODS
On one level, THE CROODS is a funny, heartwarming, and imaginative look at life in the original dark ages, those of prehistoric humankind crouching in their caves surviving, barely, in a state of perpetual fear of the dark. And it would be perfectly fine to enjoy this animated film from Dreamworks in just that way.… Read More »
ADMISSION
ADMISSION is a thoughtful comedy being tragically hyped as a comedy of the screwball variety. Its a disservice to a story that is both funny and intelligent, as well as to a ticket-buyer led to believe that he or she will be enjoying something mindless and fluffy. This is anything but. The theme is passion,… Read More »
SPRING BREAKERS
What is most interesting about Harmony Korine’s SPRING BREAKERS is the way it turns its imagery on its head while revealing harsh truths about the hollowness of American pop culture. Though the camera revels in shots of decadent excess, it never quite reduces them to mere cheap exploitation. Instead, by the end of this anti-fairy… Read More »
TRANCE
TRANCE is a thing of grotesquely fascinating beauty, an evolved noir designed to provoke and to disturb in equal measure as it toys with the audience’s notions of absolute certainty. It begins with the winsome James McAvoy addressing the audience directly, his sadly earnest face a perfect picture of open honesty as he sets up… Read More »
THE ANGELS’ SHARE
Filmmaker Ken Loach is not someone from whom a comedy is expected. Known for his uncompromising stories of social injustice told with trademark searing intensity, humor would seem to be a format with which he is, if not unfamiliar, at least uncomfortable. This is what makes THE ANGELS SHARE all the more remarkable. The usual… Read More »
OBLIVION
OBLIVION is a slow-moving behemoth of a film that has been art-directed into a coma. Sure, its gorgeous to look at, but is just as sterile and cold as the retro-futuristic home its hero occupies. Based on the graphic novel of the same name, it retains the static quality of the paper-bound format. In keeping… Read More »
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