George Miller first sent Mad Max blazing across the sere post-apocalyptic landscape in 1979 and thence onto cinematic legend. Sequels followed. Mel Gibson in the eponymous role rose to international fame and, eventually, Miller moved on to different sorts of classics with BABE and HAPPY FEET. Now, thirty years and more later, he is revisiting… Read More »
A Cold Reception for HOT PURSUIT
If anyone could have saved HOT PURSUIT, it would have been Reese Witherspoon and Sofia Vergara. Aside from having scads of talent and audience appeal, they both have a keen understanding of their strengths as performers, yet they never quite cross the line into becoming caricatures of themselves. Here, the co-stars and co-producers have found… Read More »
EFFIE GRAY is Worth Knowing
On her first night as a wife, the title character of EFFIE GRAY is disconcerted to see her husband spirited away to his bath after his long trip from Scotland by his mother. Later, at dinner, said mother all but tosses a gift to Effie telling her she might as well have it, since she… Read More »
How to Wield A CANDLESTICK
It takes a great deal of moxie to begin a film by referencing Hitchcock in both title sequence and score, but director/co-writer Christopher Presswell’s CANDLESTICK does just that, and then, with an impudent wink at the audience, does a more than credible job of making good on its promise. An intelligently crafted plot, driven by… Read More »
NED RIFLE Completes the Cycle
Hal Hartley is the master of astringent whimsy and scathingly erudite satire. No better examples of his talents are to be found than HENRY FOOL (1997) and its follow-up, FAY GRIM (2007). Both deal with a character, Henry (Robert John Burke), who may or may not be the devil inserting himself into the desperately dull… Read More »
IT FOLLOWS and It’s Relentless
IT FOLLOWS slyly juxtaposes the familiar with the alien as it tells its exceptionally effective tale of terror. The clichéd tropes of low-budget horror — the remote lake house, the eager and nubile kids having sex in the back seat of a car, a terrified girl in high heels and lingerie running in terror down… Read More »
HOME is Where the Heart is
Based on the novel “The True Meaning of Smekday” by Adam Rex, HOME is a sweet animated film that is equal parts cheery and poignant. Aimed more at kids than at adults, it takes the time-honored themes of friendship, family, and keeping promises and wraps them in an imaginative new package as shiny and inviting… Read More »
DANNY COLLINS Overcomes
Narratively, DANNY COLLINS commits more than a few faux pas, but there is such warmth to the melancholy of a life discovered to have been wasted, that the winces they produce are worth enduring. Writer/director Dan Fogelman (CRAZY, STUPID, LOVE) may be too quick the play the melodrama card, but I prefer to focus on… Read More »
RUN ALL NIGHT with Liam Neeson
There is a reason that there is a rigid formula for Liam Neeson action films: it has a tendency to hit more than it misses. In RUN ALL NIGHT, the tropes are all present and accounted for with the variations that are permitted within the formula’s rules. Neeson is the everyman with, you will pardon… Read More »
INSURGENT Keeps the DIVERGENT Franchise Puffing Along
The advantage of seeing outstanding actors in a middling film is that you can appreciate just how good they are on a whole new level. And INSURGENT is certainly a middling film, though that is an improvement on the last installment in this franchise, DIVERGENT. With a new director, Robert Schwentke, bringing Veronica Roth’s YA… Read More »
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