BLING is a perfectly sweet, perfectly gentle, and perfectly harmless bit of fluffy animated comedy that will delight kids whose ages fall in the single digits. True love is the theme, and the difficulties of overcoming both self-doubt and Oscar (Jason Kravitz), an evil supervillain, provide the obstacles as mechanical whiz-kid Sam (Taylor Kitsch) spends… Read More »
CAPTAIN AMERICA: CIVIL WAR
CAPTAIN AMERICA: CIVIL WAR asks the cinematic question “What would happen if we took a whole passel of superheroes from the Marvel Comic universe and tossed them together into one film?” But wait, what if we pitted them against one another over a fundamental difference of opinion about ethics, and then added a dash (or… Read More »
PAPA: HEMINGWAY IN CUBA
The greatest virtue of PAPA: HEMINGWAY IN CUBA is that it was filmed in Cuba just after it was re-opened to the United States. It still looks the way it did over 50 years ago, when the story is set, which not too long before the United States embargo, protesting Castro’s revolution, went into place.… Read More »
HIGH-RISE
There is nothing subtle about HIGH-RISE, a savage allegorical satire of manic energy and pointed symbolism. Based on the novel of the same name by J.G. Ballard, it stars Tom Hiddleston as an urbane neurologist about to discover his place in the social order, and Jeremy Irons as The Architect (how Masonic?), the emotionally constipated… Read More »
GREEN ROOM
THE GREEN ROOM is technically flawless. Writer/director Jeremy Saulnier has crafted a horror film that plays upon the well-chosen phobias about extremists, backwoods rough justice, and the down side of the music business. Yet, for all the graphic flourishes of dog-mangled throats, a close-up belly slitting, and the results of gunfire meeting flesh, this is… Read More »
LOUDER THAN BOMBS
LOUDER THAN BOMBS begins with a perfect picture of family love. Jonah (Jesse Eisenberg) is marveling at his newborn as his wife Amy, (Megan Ketch) looks on beaming. Jonah is beaming, too, and he is aghast that he has forgotten to bring his wife the food she had requested when she discovered that the hospital tray… Read More »
A HOLOGRAM FOR THE KING
Tom Hanks once again reminds us that he is the quintessential American Everyman with a deeply affecting turn as the symbol of modern American enterprise in A HOLOGRAM FOR THE KING, based on the novel of the same name by Dave Eggers, and adapted by Tom Tykwer. Think of it as an updated version of… Read More »
ELVIS & NIXON
If the essence of acting is the willing suspension of disbelief, then you will find no better example than that shared by Michael Shannon and Kevin Spacey in and as, respectively, ELVIS & NIXON. Based on the improbable meeting between the two in December 1970, it is a fanciful, and at times unexpectedly moving, reimagining… Read More »
THE FIRST MONDAY IN MAY
It was the year that Sarah Jessica Parker showed up in a literally flamboyant head piece, and the year that Kim Kardashian showed up in (almost) literally nothing, and never has so much ridden on the strategic placement and secure fastening of paillettes and lace appliques. It was the 2015 Met Gala, the one that… Read More »
CRIMINAL
CRIMINAL is a trifle of a thriller. Sure, guns are fired, things explode, and Ryan Reynolds meets a grisly end shortly after the flick begins, but the necessary tension to keep us all on the edge of our seats is noticeably lacking. What we are left with is an intriguing premise, Gary Oldman at his… Read More »
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