Spinoza once opined that you couldn’t use words to describe God, because by choosing any one or several, you would be eliminating the infinite nature of the deity. That essential inadequacy of words drives much of Christopher Nolan’s stunning film, DUNKIRK. Stunning in many sense of that word. Hence, we don’t learn that Tommy (Fionn… Read More »
THE LITTLE HOURS
Jeff Baena has taken as his inspiration Bocaccio’s Decameron for his sly gem of a film about female frustration and empowerment, THE LITTLE HOURS. That 14th-century book is full of bawdy tales of people from all stratas of society behaving badly, and so they do in this film set very specifically in 1347. Like the… Read More »
WAR FOR THE PLANET OF THE APES
There is something heartening in a sequel to a sequel that is as good as the original. Imagine how much more heartening it is that WAR FOR THE PLANET OF THE APES, the third in the trilogy that launched with the excellent DAWN OF THE PLANET OF THE APES and continued with the equally excellent… Read More »
SPIDER-MAN: HOMECOMING
Leaving aside what might otherwise be a richly nuanced discussion of why we need another Spider-man reboot so soon, it is with delight and relief that I report its success. Tom Holland takes on the red spandex and the ironic wisecracks as Peter Parker, the brilliant high-school kid whose bite from a radioactive spider has… Read More »
MEGAN LEAVEY
There is nothing more endearing that the story of a dog and its loyal owner, and this is eminently the case with the fact-based MEGAN LEAVEY. Usually the stuff of sentiment of the most syrupy nature, these stories usually inhabit a special sub-genre of family-friendly flicks designed to reassure the intrinsic goodness of the family… Read More »
THE HOUSE
If anyone could have saved THE HOUSE, it would have been Amy Poehler and Will Ferrell. Theirs is a deliciously insouciant sense of comedy delivered with deadpan sincerity that can make the most of anything tossed their way. And so it is with THE HOUSE, a raggedly written story with a creaky plot that no… Read More »
THE BIG SICK
You can’t blame Kumail Nanjiani and Emily V. Gordon for thinking that the story of their romance had the makings of a great movie. Kumail (playing himself), a Pakistani immigrant doing stand-up comedy meets graduate student (in psychology, yet), Emily (doe-eyed but tart Zoe Kazan), when she “whoo hoos” him at one of his shows.… Read More »
LOST IN PARIS
The spirit of Jacques Tati is alive and well in LOST IN PARIS, a charming comedy of coincidences (or is it fate?). As stylized as it is heartwarming, it is an unexpected love story set against the magical backdrop of Paris, with every movement, from a roasted red pepper on the loose, to a love… Read More »
THE HERO
Sam Elliot is the definition of laconic. As an actor, he is a man who feels deeply, but keeps those emotions in tight check, yet transmitting them to the audience with clarity and an authenticity that is riveting. His only flaw is that he makes it look almost too easy, until the moment when the… Read More »
WAKEFIELD
It was not pre-meditated, Howard Wakefield’s snap decision to remove himself from his family. As he explains to us in the ongoing narration of WAKEFIELD, rather it was an accumulation of minor discontents culminating in a particularly bad commute and a raccoon with a disconcerting assertion of proprietary rights. Thus begins an existential consideration of… Read More »