One can approach I AM LISA as a very cool horror film in which the power structure is challenged by the supernatural. One can also approach it as a scathingly brilliant dialectic on feminism in several of its waves. Either way one comes away from this deliciously atmospheric, intellectually nimble excursion into lycanthropy, wildly entertained… Read More »
BORAT SUBSEQUENT MOVIEFILM
Borat Sagdiyev, once the second-best journalist in Kazakhstan, makes a return trip to America in BORAT: SUBSEQUENT MOVIEFILM, and he finds a country not so much changed in its dynamics from his last visit, as one that is more extreme. The jokes are harsher, and in many cases funnier. And they need to be. Since… Read More »
J.R. ‘BOB’ DOBBS AND THE CHURCH OF THE SUBGENIUS
Though J.R. ‘BOB’ DOBBS AND THE CHURCH OF THE SUBGENIUS throws in that now infamous quote from L. Ron Hubbard, the one about how the real money is in starting a religion not writing science fiction, this (mostly) playful, always thoughtful documentary is an unusual cautionary tale, but not for the usual reasons. Yes, it’s… Read More »
THE WAR WITH GRANDPA
Amid the stale jokes and flat direction to be found in THE WAR WITH GRANDPA, one is subjected to cartoonish takes on elder abuse, child abuse, and I’m pretty sure that the bass didn’t enjoy its time during the fishing sequence. Based on the book of the same name by Robert Kimmel Smith, the film… Read More »
THE GLORIAS
Click here for the flashback interview with Julianne Moore for FREEHELD. Julie Taymor, a visionary director if there ever was one, has done more than merely work around the inherent artificiality of the cinematic biopic. Rather, she has used it to excellent advantage in THE GLORIAS, a consideration of the life, and political education, of… Read More »
THE WAY I SEE IT
The canny undercurrent of Dawn Porter’s documentary THE WAY I SEE IT, about White House photographer Pete Souza, is a consideration of the free press in an era when “fake news” has become a catch phrase for those who see journalists as the enemy of the people. It’s equally canny in the way it contrasts… Read More »
MULAN
There are several volumes of sophisticated feminist theory at work in the live-action version of MULAN, but, trust me, they are wholly in the service of a first-rate action-adventure film that puts characters ahead of spectacle. Director Niki Caro has created a film that is intense, compelling, and entirely entertaining, while Liu Yifei as the… Read More »
THE PERSONAL HISTORY OF DAVID COPPERFIELD
Armando Iannucci, a man possessing a preternatural gift for telling serious stories with a puckish twist, has taken on the classic Dickens tale of David Copperfield, and infused it with sparkling new life while remaining true to the original’s spirit. After all, despite his sometimes cloying sentimentality, Dickens spared his readers nothing when describing the… Read More »
TESLA
Quiet in tone, and visually arresting, TESLA tells the story of a man whose perspective had only the most tangential relationship to that of the mere mortals who surrounded him. Michael Almereyda film echoes that with a high-minded tone-poem that mixes fact and fiction to achieve an emotional and intellectual, if not factual, truth. The… Read More »
SPUTNIK
As is traditional in one of the more intriguing sub-genres of speculative fiction, the most dangerous monsters of SPUTNIK turn out to be the ones that didn’t come from outer space. That is the only standard trope to be found in this lean and lyric film from Russia, though, as it takes a sober look… Read More »