I get it. After eight installments of souped-up cars zooming (in the old sense) across the screen, the stakes are very high in F9: THE FAST SAGA, a franchise that is dedicated to finding new ways to crash, crumple, and otherwise decimate automobiles. And so including a Pontiac Fiero tooling around in space should not… Read More »
RISE AGAIN: TULSA AND THE RED SUMMER
Anticipating the centennial of the Tulsa race riots and massacre in 1921, Dawn Porter wanted to do more that remember that criminally ignored chapter in American history. The resulting documentary, RISE AGAIN: TULSA AND THE RED SUMMER, recounts a part of our history that had, similarly, been ignored by all but the survivors, and their… Read More »
LUCA
With LUCA, Disney/Pixar takes us back under the sea with a film that makes no secret about wanting to tug at our heartstrings. Using sentiment and slapstick, it explores not only bullying, childhood bonding, and the importance of expanding one’s horizons, but also that delicate struggle between safeguarding one’s children, and letting them find their… Read More »
THE HITMAN’S WIFE’S BODYGUARD
When last we saw ex-Triple A rated bodyguard Michael Bryce (Ryan Reynolds), he had succeeded in getting notorious hitman Darius Kincaid (Samuel L. Jackson) to the Hague to testify against a genocidal dictator (Gary Oldman). He had also taken a bullet for Darius, which is part of a bodyguard’s job. It would have been better… Read More »
THE EDGE OF THE WORLD
Based on the remarkable life of James Brooke, EDGE OF THE WORLD is an introspective film about how an Englishman became the Raja of Sulawak. Such was his fame in Victorian England that Joseph Conrad used him as the model for the title character in his novel, Lord Jim, and rich women proposed marriage to… Read More »
CAVEAT
Click here for the interview with writer/director/editor Damian McCarthy. CAVEAT is a small masterpiece of mood and atmosphere. A southern gothic transplanted to a remote island somewhere off the coast of Ireland without losing anything in the cultural translation, it is all about suggestion and quick cuts showing what may or may not be externalization… Read More »
A QUIET PLACE 2
There is something wonderfully cathartic about spending an hour-and-a-half or so being kept on the edge of one’s seat in a state of suspenseful terror. And thus does John Krasinski’s A QUIET PLACE 2 deliver. As excellent as it would have been as an entertainment if it had enjoyed its original, pre-pandemic release date, the… Read More »
RIDERS OF JUSTICE
It’s impossible to pigeon-hole RIDERS OF JUSTICE. Part tragedy, part very black comedy, part action/revenge, it is nevertheless also a perceptive examination of troubled souls longing for surcease of sorrow for whom the usual therapeutic methods have failed. If that were all, it would be enough, but it goes further, essaying nothing less than a… Read More »
DRUNK BUS
Michael (Charlie Tahan), the nebbishy hero of DRUNK BUS, needs no metaphor to describe his life in 2006. He is living it. After four years of driving the endless loop that is the overnight campus bus route at the Kent Institute of Technology his whole exitance has become a treadmill. What started as a part-time… Read More »
CRUELLA
It’s somewhere In the third act that CRUELLA goes from being a frothy Disney confection to a Guy Ritchie knock off. Until then, this origin story about the woman who wanted to turn 101 dalmatians into outer wear is pure eye candy with a villainess more deliciously reprehensible than Cruella herself, and even more overdressed.… Read More »