The French title of Quentin Dupieux’s latest film, KEEP AN EYE OUT, relies on a clever bit of wordplay in its two words, AU POSTE. One of the meanings of poste is police station, where the action takes place. Another is post, as in taking up one’s post. There are more, the translation of which… Read More »
THE SPONGEBOB MOVIE: SPONGE ON THE RUN
There has always been an archly hallucinogenic element to Spongebob Squarepants. I don’t mean the conceit of a sentient aggregate life form living in a pineapple under the sea. No, Spongebob has used it to tackle the existential from time to time while also being deliciously silly and being unapologetically full of heart. One need… Read More »
SILK ROAD
There is a wealth of confirmation to be found about many of our worst nightmares in SILK ROAD, a cautionary tale of stereotypes, specialization, and the consequences of absolute freedom. Based on an article by David Kushner in Rolling Stone, it charts the rise and fall of Ross Ulbricht (Nick Robinson), a 20-something idealist of… Read More »
JUDAS AND THE BLACK MESSIAH
The religious overtones of JUDAS AND THE BLACK MESSIAH come towards the end of this searing examination of racial politics during the 1960s. And when they arrive, in a sequence that is most assuredly a shout-out to the Last Supper, director/co-writer Shaka King has earned the right, and then some, to invoke the metaphor. The… Read More »
A GHOST WAITS
While it is tempting to think of A GHOST WAITS as merely one of the best love story involving a ghost since THE GHOST AND MRS. MUIR, there is a great deal more going on director/co-writer Adam Stovall’s witty, cinematically rich, yet philosophically dense effort. At the risk of being accused of overthinking it, one… Read More »
A NIGHTMARE WAKES
The most potent image in A NIGHTMARE WAKES, a film that is rife with them, is the juxtaposition of blood and ink as Mary Shelley (Alix Wilton Regan) struggles to produce her novel, Frankenstein or A New Prometheus, putatively the beginning of the science fiction genre (pace fans of Cyrano de Bergerac’s A Trip to… Read More »
A GLITCH IN THE MATRIX
By the end of Rodney Ascher’s A GLITCH IN THE MATIX, you may well be questioning the definition of reality. That, of course, is part of his point. Bur far from a light-hearted romp about the fringe-ish theories that posit our living in a computer simulation, Ascher is interested in more than the Mandela Effect,… Read More »
THE LITTLE THINGS
THE LITTLE THINGS, or to be precise, “the little things” is a well-thought-out film, and if putting a film together with the pre-fab precision of a Lego® sculpture were all it took to make a great flick, such it would be. Alas, the overweening self-conscious sense of profundity fails to convince even the most willing… Read More »
THE NIGHT
With THE NIGHT, Kourosh Ahari has fashioned a deeply disturbing, elegantly told tale of horror that resonates not so much for its supernatural elements, as for the fear that lurks within us all that one day, or in this case, night, we will get what we deserve for our transgressions. Ahari may be using familiar… Read More »
I BLAME SOCIETY
I’m not giving anything away to tell you the punch line in Gillian Wallace Horvat’s I BLAME SOCIETY. It’s a perfectly timed, and even more perfectly delivered explanation about the film her character made in the course of this vicious, and viciously funny satire: I’m sorry it didn’t meet your expectations, I didn’t make it… Read More »
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