There is nothing quite so thrilling as a revisionist theory of a well-known story when it works, and no better example of that than WICKED. First a book, then a theatrical musical, it has now made its way to the silver screen giving us The Wizard of Oz from the point of view of the… Read More »
THE APPRENTICE
THE APPRENTICE takes as its focus the relationship between Roy Cohn and the young and hungry Donald Trump of the 1970s. This would be the callow Trump who was stifled by the long shadow cast by his father, Fred (Martin Donovan), and the utter cluelessness about how to play an all too easily rigged system… Read More »
JOKER: FOLIE A DEUX
And so with JOKER: FOLIE A DEUX, we return to the tragedy that is Arthur Fleck and his abuse at the hands of a social safety net that failed him. As refracted through the prism of Arthur’s fractured psyche, and that of his alter ego, Joker, the world of Gotham City is a violent place… Read More »
A DIFFERENT MAN
Hell, opined Sartre, is other people, and I am not here to argue with that. I am here to note that filmmaker Aaron Schimberg has made an excellent counterpoint to that idea with A DIFFERENT MAN, an engrossing trip to Hades that is archly, and self-referentially metaphorical as it discovers that Hell is also oneself.… Read More »
MEGALOPOLIS
It feels like the right thing to do when reviewing MEGALOPOLIS: A FABLE is to wait for the director’s cut. It’s an impulse as fractured as the film itself considering that Francis Ford Coppola sank his own money into making this film and thereby had final cut. Still, for all the disjointed execution this frustrating… Read More »
SUPER/MAN: THE CHRISTOPHER REEVE STORY
SUPER/MAN: THE CHRISTOPHER REEVE STORY is a respectful and honest documentary about the actor who rose to fame as the Man of Steel and the accident that put him in a wheelchair. Using home movies and recollections by family members, it conveys both the profound courage Reeves showed in making himself a visible symbol of… Read More »
THE KILLER’S GAME
Dave Bautista deserves so much better than THE KILLER’S GAME, (based on the book of the same name by Jay Bonansinga). What is translated to the screen is a misguided effort that essays several tones without ever settling successfully on one. Bautista is an actor that has shown himself to be more than the cartoon… Read More »
SPEAK NO EVIL
First, we must speak of trailers that give too much away, something that dampened the exquisite terror of SPEAK NO EVIL for me. Its trailer deprives those who see it of the joy in discovering the twists and turns the story uses in order to turn the film into something other than what we expect… Read More »
LOOK INTO MY EYES
The unseen terrain explored in Lana Wilson’s LOOK INTO MY EYES is not what lies on the other side of this mortal veil. In this immensely moving documentary, she takes on something much more profound. She is examining in sometimes raw detail the nature of faith juxtaposed with the overwhelming need for certainty, or at… Read More »
BEETLEJUICE BEETLEJUICE
BEETLEJUICE BEETLEJUICE is a ramshackle effort trading on goodwill and nostalgia. What made the original so disarming and anarchic 36 years ago burbles to the surface from time to time, but as a whole, it is a mawkish thing following formulas that that original eschewed with raucous glee. We find Lydia Deetz (Winona Ryder) older… Read More »
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