And so with DEATH ON THE NILE (2022), we learn about the man behind the moustaches. That would be Hercule Poirot, Agatha Christie’s cerebral Belgian detective devoted to his “little grey cells” and keeping order in the world. The former gets short shrift, mention-wise, in this adaptation, while the latter rears its compulsive head in… Read More »
CAFÉ SOCIETY
There is a theological bent to Woody Allen’s CAFÉ SOCIETY. It’s there in the constant bickering between the hero’s parents about whether or not a relative has a Jewish-shaped head. And, furthermore, if he doesn’t, how can he be a proper Jew? Such questions are a Midrash on the actual story, which concerns a young… Read More »
Xu Hoafeng Presents THE FINAL MASTER
Xu Haofeng wanted to revitalize the martial arts genre, and by bringing knives into the action he has certainly done that. He’s also thrown in a love story as sharp and as steely as any of those weapons. Both approaches are refreshing, and both were topics of conversation when I spoke with the filmmaker about… Read More »
Richard Linklater Richard & Christian McKay on ME AND ORSON WELLES
ME AND ORSON WELLES is a fascinating glimpse of what it might have been like to work with Welles during his enfant terrible period. The film, interesting though the subject matter is, succeeds because of the way Christian McKay become Welles in all his brilliant, infuriating glory. The first thing I wanted to know when I talked… Read More »