Drew Goddard crafts tales that are multi-layered and philosophically challenging. From his days in the Whedon-verse to the deliciously exercise in meta-text, CABIN IN THE WOODS, there is always much more going on than the surface narrative. And so it is with BAD TIMES AT THE EL ROYALE, which may not be the flawless wonder… Read More »
HIGH-RISE
There is nothing subtle about HIGH-RISE, a savage allegorical satire of manic energy and pointed symbolism. Based on the novel of the same name by J.G. Ballard, it stars Tom Hiddleston as an urbane neurologist about to discover his place in the social order, and Jeremy Irons as The Architect (how Masonic?), the emotionally constipated… Read More »
WOMAN IN THE DUNES (SUNA NO ONNA)
WOMAN IN THE DUNES, based on the novel by screenwriter Kôbô Abe, is the kind of film that sparks all manner of discussion over what it all means. When it arrived stateside in 1964, it was hyped as being wildly erotic. Well, there are a few shy nude shots of the winsome leading lady, but its eroticism, replete… Read More »
THE REVENANT
With THE REVENANT, Alejandro González Iñárritu has taken the true story of early 19th-century frontier scout Hugh Glass, and admirably manipulated it into a spiritual journey of savage poetry. Glass’s story, rendered cinematically in the 1970’s by Richard Harris in MAN IN THE WILDERNESS, becomes much more here. Iñárritu uses the bare bones of the… Read More »