EMERGENCY starts with Sean (RJ Cyler) and Kunle (Donald Elise Watkins) attending a class called Blasphemy and Taboos, taught by a perky British woman who, after reminding her students that their syllabus contained a trigger warning about this class, confronts them with the n-word. Not just projecting it onto the classroom screen in huge letters,… Read More »
AMERICAN ANIMALS
Click here to listen to the interview with Bart Layton. At a pivotal moment in Bart Layton’s emotionally charged AMERICAN ANIMALS, a character looks out of the car in which he is riding and sees the real person on whom he is based staring back at him as the car glides by. It’s not a… Read More »
GOAT
GOAT is not a subtle film, though the performances by its young cast are wonderfully nuanced. Based on the eponymous memoir by Ben Land, it opens with a mob of naked frat boys caught up in slow-motion frenzy of testosterone-driven, gleeful aggression. We do not see what it is that they are kicking, but we… Read More »
DEAR WHITE PEOPLE says Justin Simien
To say that talking with Justin Simien was a master’s class in film and culture theory is understating it. Simien believes that film is the culmination of everything we do as a culture. This is why he invoked Spike Lee, Paddy Chayefsky, George Orwell, and Moliere in our conversation about DEAR WHITE PEOPLE, his bracing look… Read More »
Gregg Araki Goes KABOOM
Gregg Araki made his reputation for uncompromising indie filmmaking with a the Doom Generation Trilogy. Those films explored the terror and exhilaration of being young, confused, and hormonal. His later film, MYSTERIOUS SKIN, was unflinching in its depiction of the effects of child sexual abuse on its victims. His latest, KABOOM, picks up many of… Read More »