Chris and Paul Weitz were the directors of the wildly successful AMERICAN PIE. I was suitably impressed that they were able to switch successfully from broad farce to an insightful, even sensitive, comedy about a man who refuses to grow up and a boy who had no choice in the matter. Talking with them, it quickly became apparent that… Read More »
Brett Haley Makes I’LL SEE YOU IN MY DREAMS Reality
There’s a reason people will go out of their way to help Brett Haley. After only a few minutes, his generous nature is readily apparent, as is his delight in giving credit where he thinks it’s due. My only quarrel is that he might be giving too little to himself. True, the superb cast and… Read More »
Noah Baumbach Makes Hay WHILE WE’RE YOUNG
Noah Baumbach took a bold step in writing and directing WHILE WE’RE YOUNG. He decided not to take sides when telling this tale of youthful impatience and adult complacence meeting head-on, instead opting for the far more interesting neutral perspective that allows the audience to relish the quirks of both generations while never stooping to… Read More »
5 TO 7 with Victor Levin
When I spoke with Victor Levin by phone on April 3, 2015, I was surprised to learn that one of the thing that I appreciated most about his feature film directorial debut, the practicality of the women of the piece about extra-marital affairs in contrast to the shock evidenced by the men, was not something… Read More »
DANNY COLLINS Overcomes
Narratively, DANNY COLLINS commits more than a few faux pas, but there is such warmth to the melancholy of a life discovered to have been wasted, that the winces they produce are worth enduring. Writer/director Dan Fogelman (CRAZY, STUPID, LOVE) may be too quick the play the melodrama card, but I prefer to focus on… Read More »
FOCUS Needs Some Adjustment
Glenn Ficarra and John Renqua have made some films that are close to my heart. BAD SANTA, I LOVE YOU PHILLIP MORRIS, CRAZY STUPID LOVE are movies that are funny and smart without resorting to schmaltz. Instead, they are subversive satires about human nature, and what happens when wide-eyed innocence meets conniving manipulator. The same… Read More »
PIRATE RADIO
What PIRATE RADIO does that is so remarkable is to capture as closely as a film can what it was like to be a fan of rock & roll at a time when it was considered not just noise, but actual subversion. Of course, in a way it was. This music was the anthem of… Read More »
CITY ISLAND
The Rizzo Family of CITY ISLAND is a family of secret smokers. That smoke, though, is just a screen for the many other secrets that lurk amid this close-knit but volatile family, one that has no problem expressing itself, but not as much talent in sharing confidences. In fact, most of the secrets, smoking included,… Read More »
ALFIE
The thing about Jude Law is that he is so unbelievably beautiful. Such is his pulchritude, not to mention his irresistible onscreen charm, that its easy to overlook the undeniable acting chops that are greater even than the sum of his more ephemeral gifts. In ALFIE, Charles Shyer’s re-make of the 60s classic that starred… Read More »
For Tom McCarthy, it’s WIN WIN
Tom McCarthy returned to his hometown of Provinctown, N.J., for WIN WIN, his third film as a writer/director. The story of a lawyer on the verge of a financial meltdown who makes a rash and unethical choice also gave him the opportunity to revist his favorite high school sport: wrestling. A working actor with a… Read More »