When I talked with Gurinder Chadha she was hoarse from talking non-stop about her world-wide hit at the 2003 San Francisco Asian American Film Festival where it had been the opening night film. That didn’t dampen her enthusiasm, which has been going strong for over a year ever since her little film became one of the top… Read More »
Joel Schumacher’s PHONE BOOTH
Joel Schumacher knows how to put on a show. Whether it be a full-blown flight of fantasy such as BATMAN AND ROBIN or the more confined space of PHONE BOOTH, in which we spend almost 90 minutes trapped in one with Colin Farrell. Schumacher may not always avoid kitsch, but he’s rarely boring. The same is… Read More »
Andrew Davis and Louis Sachar’s Perfect HOLES
If I had had any doubts about HOLES being one of the big summer films of 2003, they were all put to rest by the audience reaction the film and its makers received at one of the two press screenings that I went to. The audience was packed with kids of all ages who adored Louis… Read More »
The LEVITY of Ed Solomon
Making his directorial debut filming his own script wasn’t the only break Mark Solomon made with his previous work. Unlike the broad comedy he’s done before, LEVITY is a thought-provoking film that isn’t afraid to examine matters religious and moral in a world that offers few absolutes when it comes to right and wrong. It was… Read More »
John Malkovich Captures THE DANCER UPSTAIRS
John Malkovich is a man who likes to take his time, whether putting together THE DANCER UPSTAIRS, his directorial debut in films, or in answering questions and about the art and craft of acting on stage and on screen. It led to a fair amount of philosophizing when I interviewed him on April 17, 2003 and a… Read More »
Richard Kwietniowski Gambles on OWNING MAHOWNY
Richard Kwietniowski developed quite a following with his first feature film, LOVE AND DEATH ON LONG ISLAND. That most improbable of love stories demonstrated his knack for telling stories of the unexpected with a delicate wit and a sharp insight. The same is true for OWNING MAHOWNY, an improbably absorbing tale of a dull man, played… Read More »
Andrew Jarecki on CAPTURING THE FRIEDMANS
For a debut film, Andrew Jarecki couldn’t have picked a more controversial or attention-grabbing subject that child sexual abuse. Yet his film dealing with the emotional impact on the family of the accused father and son transcends sensationalism and becomes a consideration on the nature of truth and universality of family life. When I spoke to… Read More »
Patty Jenkins Dissects MONSTER
For Patty Jenkins, MONSTER was more than a movie, it was a mission. The writer/director took a lot of risks, including the casting against type of the film’s star, Charlize Theron, as real-life serial killer Aileen Wournos. It paid off big time, and did so with a smart film that raises more questions about society than… Read More »
Jay C. Cox Reveals LATTER DAYS
LATTER DAYS is a film that is funny, moving, and that far exceeds expectations. So does its writer/director, C. Jay Cox. I’ve rarely chatted with anyone so engaging and so wickedly funny. But don’t be fooled, this is an inteligent, thoughtful guy who has the worldview that can only the found in a gay Hollywood screenwriter who… Read More »
Zach Braff Visits GARDEN STATE
GARDEN STATE was that most welcome of surprises, an accomplished film whose quirkiness delivered a thoughtful look at modern alienation without glorifying it. Its writer/director/star, Zach Braff, proved to be as thoughtful as his film. Our conversation on July 1, 2004, covered the importance of visual images in conveying a story, the lessons of working with… Read More »
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