Spinoza once opined that you couldn’t use words to describe God, because by choosing any one or several, you would be eliminating the infinite nature of the deity. That essential inadequacy of words drives much of Christopher Nolan’s stunning film, DUNKIRK. Stunning in many sense of that word. Hence, we don’t learn that Tommy (Fionn… Read More »
ATONEMENT
ATONEMENT is as close to perfection as mere mortals can aspire to. This translation to the screen of the Booker Prize-winning novel by Ian McEwan flawlessly captures the complex and powerful play of emotions that propel the story while annotating it with a visual component that amplifies rather than distracts. The plot hinges on what… Read More »
The ATONEMENT of James McAvoy & Joe Wright
The power of words, the questioning of received wisdom, and the reasons behind a recurring porcine motif were all on the table when I talked with James McAvoy and Joe Wright about ATONEMENT on November 28, 2007. They were by turns philosophical and whimsical while discussing how to use naughty words in an elegant film, filming the… Read More »