Let us frankly marvel at what technology can do. It can allow the gloss of an ape avatar to convey the most subtle and the most powerful of performances, complete with echoes of that human actor’s appearance, with flawless nuance. And so it is in THE KINGDOM OF THE PLANET OF THE APES. That same… Read More »
RESTORE POINT
RESTORE POINT is a first-rate neo-noir set in a near-dystopian near future. The year in 2041, and the social and economic unrest plaguing Middle Europe has resulted in such violence that a new civil right has been bestowed on its residents. Anyone found to have been killed as a result of violence is guaranteed a… Read More »
CRIMES OF THE FUTURE
Click here for the flashback interview with David Cronenberg and Viggo Mortensen for EASTERN PROMISES. With CRIMES OF THE FUTURE, David Cronenberg once again presents us with a dystopian future, or is it an alternate present, that is alien and yet, somehow, instantly familiar. It’s not just the machines that mimic the skeletal structures of… Read More »
REMINISCENCE
There is a persistent torpor to REMINISCENCE, a film that tries to be many things and fails for the most part. Rife with visuals that evoke a disquieting dreamlike state, the story, an ersatz neo-noir set mostly between sunset and sunrise, drones along with the cinematic equivalent of a mosquito’s interminable buzz on a humid… Read More »
THE DIVERGENT SERIES: ALLEGIANT
As is the wont with these franchises based on young adult novels, THE DIVERGENT SERIES: ALLEGIANT, the third in the series, begins where the last one left off. No flashback montage, no character narration bringing us up to date. Instead, there’s just a quick reminder that Jeanine is dead, and that everyone on screen is… Read More »
THE HUNGER GAMES: MOCKINGJAY — Part 2
THE HUNGER GAMES may be based on a wildly popular young adult series of novels, but the film adaptations have always tackled issues that are powerfully adult and presented as such. Set in an unspecified future, the class system has run so wild that the life and death of the proletariat class has become institutionalized… Read More »
MAD MAX: FURY ROAD
George Miller first sent Mad Max blazing across the sere post-apocalyptic landscape in 1979 and thence onto cinematic legend. Sequels followed. Mel Gibson in the eponymous role rose to international fame and, eventually, Miller moved on to different sorts of classics with BABE and HAPPY FEET. Now, thirty years and more later, he is revisiting… Read More »
INSURGENT Keeps the DIVERGENT Franchise Puffing Along
The advantage of seeing outstanding actors in a middling film is that you can appreciate just how good they are on a whole new level. And INSURGENT is certainly a middling film, though that is an improvement on the last installment in this franchise, DIVERGENT. With a new director, Robert Schwentke, bringing Veronica Roth’s YA… Read More »
CHILDREN OF MEN
In a here-and-now where the primacy of children is given ample lip service by proponents of any and all social issues, it is refreshing, and not a little thought-provoking, to see in Alfonso Cuaron’s CHILDREN OF MEN, based on the P.D. James novel of the same name, a world in which this is actually the case.… Read More »
SOUTHLAND TALES
There are bad movies. CATWOMAN was bad. GOOD LUCK CHUCK was bad. And then there are movies that are not just bad, they are events. PLAN 9 FROM OUTER SPACE. ISHTAR. WATERWORLD. BATTLEFIELD EARTH. SWEPT AWAY (the remake), PEARL HARBOR. Many contend, but few achieve the apotheosis to that rarified circle, but SOUTHLAND TALES, with… Read More »